Date: Sat, 05 Sep 1998 07:59:59 +0000 From: Andrej Koymasky <andrejkoymasky@geocities.com> Subject: Akim-Akim-02 SECOND Piero dictated the composition title and started to walk between the desks, while his pupils began to think about how to develop it. Out of the window it was possible to see the top of the trees on the boulevard, from which rose, just attenuated, the traffic noise. He also looked at the classroom walls, whitewashed the last time who knows how many years before, the desks, neither old nor new, the neon lamps with the lights out. The bright sun was filtered through the lower part of the glass which was unwashed (the top part was washed just once a month)... Piero saw himself in his memory, a student in that same high school, just about ten years before: all seemed unchanged. Just some colleagues, his former professors, some beadles, one of the ladies, a secretary, had grown older... But not the building, it was still the same. He saw himself in the third row, fourth desk, when he passed small sheets to Carla during the mathematics tests. Who knows how many small sheets his students were passing behind his back, he thought smiling to himself. Piero was a "strict" teacher, but he was always available to his students. He was always stern with his students, probably to compensate for the insecurity deriving from his young age. He was a conscientious teacher and he did all he could to help his students, to interest them in his discipline, to give them, more than a generic "culture", a method of study, a method of reason and to analyze not so much the passages selected from the literature, but rather the ideas, the concepts, the contents, life in a word. His boys, at least for a great part, answered to his commitment. He looked at Carlo Alberto Tola. That bashful and timid boy was one of his favorite students. He knew he should not have any preferences and anyway he tried not to be influenced in his judgment, but Carlo Alberto was special, to him. In the first year he has seen this small boy from the middle school, he was an introvert, closed, almost unable to express himself. Now, in the second year, even if he remained reserved and quiet, he had to wake up. He had made incredible improvements and was able to speak and to reason in a remarkable way, and to plead his points of view. Piero knew, without any sense of false humility nor stupid pride, that the merits of the boy, was essentially his own: he had worked on that boy with care and had succeeded. Of course, some of the credit also went to some of his other colleagues and above all of the boy himself. But Piero did remember the fights in the teachers councils to defend Carlo Alberto. At the beginning, he was judged to be "a hopeless case" by more than one colleague. A school report, filled with low marks at the end of the first term of the first year, had let him pass at the end of the school year. Now, at the end of the first term of the second year, his reports were much better, with an average near the 70 percentile. Like most of his other pupils, Carlo Alberto didn't appeal to him on a physical level. The fact was that he was not interested in adolescents, and that anyway he would never have an affair with one of his pupils, Carlo Alberto physically wasn't really his type. No. But in some ways he was his "creature" of whom he was very proud. Piero thought that perhaps he would have had some difficulties if he were a teacher in the fifth year, where the boys, now eighteen, could start to appeal to him. At times he crossed some of them in the corridors, sometimes even his former students, that had developed in boys with really sensual, attractive bodies. But he didn't take risks with his students, yet little boys having just started, or barely surpassed the threshold of puberty. "Caterina, don't try to look at your book. It isn't honest!" he suddenly said, staring at the girl that blushed and bent her head on her papers, starting to bite her pen. Piero looked at his watch: still one hour and fifteen minutes. He recalled Carla, and himself... Carla and her marriage a few months before. When he saw her with the white veil and the wedding dress, he had whispered to her: "Aren't you beautiful! At last you can show off your white veil, the dream of every woman." and she, always whispering, had answered: "Bullshit! The white veil isn't the dream of any woman." "Really?" he had answered, sniggering, "... and, what is, then?" "To be respected as a person and not labeled as a female and used." "I was joking, come on... you know me, no?" And with the air to pull his leg but looking straight in his eyes, she said: "I know you, you say? I don't really know you at all..." [are you comfortable with this change?] Piero asked himself what she intended to tell him. Did she suspect his homosexuality? But inside himself he shook his head and told himself to be careful not to be paranoiac. "Thirty more minutes, boys. Try to draw your conclusions..." Piero warned, going back to his desk. He sat, let his eyes slowly run on those twenty two students committed to giving their best in that composition, who just for pride, who just to impress him, who just for the "mark"; but some of them, just for the pleasure to write, to express themselves. Piero loved to write, he always loved it. When he asked Carla what present she wanted for her wedding, she answered: "One of your stories. You'll write it for me and publish it with a dedication to me." Piero accepted. So he wrote the story titled "Complicity" where, with fantasy names and settings, he described their complicity as high school students in helping each other in the studies, and in the oral and written tests. The result was a good story, filled with humor and sweetness. The publisher immediately accepted the manuscript. Carla was delighted with the story and was very moved when she recognized herself as the "Pinuccia" in the story. It wasn't ease to get Carla moved, she was a self confident woman, energetic, strong willed, very strong. She absolutely wasn't romantic, on the contrary, she was rather a pragmatist, her feet steadily on the ground. Piero admired her, for the way she had been able to handle her relation with Beppe until she drove him, without ever forcing him, to want to marry her. Beppe was a very handsome man (at times Piero, envied Carla) and good natured. They were a nice couple, without any doubt. The bell rang and Piero collected the boys test papers. He waited a few minutes for the stragglers to turn in their papers, then he went out in the corridor with the bundle of compositions and the class registers, crossing the bawling confusion of the boys enjoying the break and entered the teachers room. "Hi Gribaudo, is everything going okay?" "Yes, and you?" he mechanically answered his colleague of Classical Greek, who was leaving the room. "Yes, but one of my sons is in bed with a fever." "Which one, the little one?" Piero asked out of courtesy. "No, the older one, Raffaele." "Nothing serious, I hope..." "No no, just a laryngitis." "Well, best wishes..." He had only met his colleague's oldest son a few time: he was a big boy, nineteen years old, a medical student freshman, a little clumsy but with a nice smile that was attractive to him. That's it, Piero was always fascinated by the way people smiles. It is impossible to find two people smiling in the same way. And from the smile it's possible to sense a lot about the value (or better the values) of a person. One of the first things that could attract him in a man was his smile, his way of smiling. He recalled the first time, he went to a gay club. It was the bar "Blue Angel", a disco, now closed. While he had been in a disco several times, with his classmates, none had been gay. When he got the address of that disco on Po Street, not far from his University, he decided to go. Before entering it, he hesitated for a long time and checked up and down the arcades with the faint fear that somebody knowing him could see him entering in that club and therefore understand he too was a faggot. But at last he decided, saying to himself that... so much the worse, if it happened. He paid the cover charge and went down the narrow stairs to the underground disco. At first sight it was a disco like many others, a little more narrow, perhaps, but with the same lights, the same music, the same crowd. He was surprised to see that there were also women, less than in a straight disco, but more than just a few. Just after he realized that some of those women were really transvestites, other lesbians, but there were also some girls that just liked to be in a gay ambiance. That first time he didn't dance, nor did he talk with anybody. He remained seated in a corner to slowly sip his whisky and to observe. He wasn't bored at all. He looked at that varied humanity, not so different from that of the other discos. Several of the boys attracted his eyes, but nobody seemed interested in him... Probably right because he never smiled, he thought later. Some of the boys were dancing on the dance floor in front of big wall mirrors, looking absorbed in their reflections, almost if they were performing just for themselves. Others danced as couples. He loved to see, for the first time, two males dancing together. He felt it was beautiful. During the few slow songs, the couples held on tight, touched, in a discrete but sexy way. Piero asked himself what one could feel to be so near, so in contact with a nice male body. He wanted to try... soon or later he would try. Three evenings later he was again at the Blue Angel. After he was there about an hour, in a moment when the dance floor was neither too empty nor too crowded, he decided to go and dance. It wasn't rare to see boys dancing alone, hence he didn't feel strange. Little by little he let himself be seized by the music and let himself go with the dance. It was agreeable. He had the sensation that everybody was dancing with everybody - he was no longer alone. After awhile he noticed a boy, almost his age, that was dancing in front of him and looking at him, quite as if he wanted to tell him: "look, I'm dancing for you." He wasn't a handsome boy, but he was agreeable and, above all, he had a beautiful smile, slightly roguish. Piero answered to his smile and the other made a wave with his hand, almost as to salute. He answered with a nod and another smile. For a while they danced one in front of the other, one for the other. Then, when the DJ changed the music, the other nodded with his head to leave the dance floor inviting Piero to follow. Piero followed him. They sat in a corner and, trying to talk over the volume of the music, the other, bending toward him, said: "Hi, my name's Luigi." "Hi, I'm Piero." "I never seen you here, before. Where do you hide?" "This is just the second time I've been here..." "Where did you go, before?" "Nowhere. To me... all this is new." "New? You mean... never patronized gay clubs?" "No, never." "But... you too are gay, right?" "Yes, I presume yes." "You presume? Do you mean you are still a virgin?" Piero smiled. He had never thought of himself as a virgin. Until then, he had always put that word as only relating to a woman. But he understood that yes, he was a virgin, so he nodded yes and felt he was blushing. But the colored lights of the club must have masked is light flush. "Well, then... we have to celebrate. A virgin at our times, and here, is for sure a rarity!" Piero again nodded and followed him at the bar counter. Luigi offered him a drink. "How old are you, Piero?" "Twenty. And you?" "Twenty... and five." "I thought less, I figured you were my same age." "How nice, thank you! And... tell me, what is your type?" "My type? I don't know, I never thought about that." "Ah, I see. You are my type but... good god, a virgin... I feel rather embarrassed." "Embarrassed? For me?" "Yes. The first time for a virgin has to be something special and I don't know if I'd be able to give you something special..." "You... did you have something special, your first time?" "I?" Luigi asked sniggering, "No, not at all. My first time I was thirteen. I was almost raped by my rowing coach, in the boats depot. Not very romantic, anyway." "Oh, then... it must have been unpleasant." Piero said trying to imagine the scene of the boy raped by his coach amidst the boats. "No, not unpleasant, on the contrary... He was a handsome man and he knew how to do it. A little painful the first times, but pleasurable enough to let me want to do it again, and again... And then, to tell the truth, I had provoked him - I wanted him to be the first to... to take my cherry. So he fucked me good. But it was just raw sex, without a little bit of tenderness. He was really skilled, I must say... And the first time, I think, especially the first time, it has to be done with lot of tenderness, I think... Aren't you a little.. scared, thinking of your first time?" Luigi asked looking him in his eyes and brushing his wrist with his fingertips in a kind of light caress. "No, I don't know... well, perhaps a little hesitant. I don't know... I wouldn't know what to do, how..." "Did you have some girls, right? There's not much difference... well, goodness, there is a difference, to tell the truth, anyway..." Luigi said softly laughing. "No, never..." Luigi nodded, now serious. Then, put his empty glass on the counter, said with half a smile to Piero: "Would you like to... to try it with me?" Piero, at that straight proposal felt a quiver and, not being able to voice his feelings, nodded yes. Luigi smiled and took his hand. It was a firm grasp, not strong but virile, agreeable, that transmitted to him a sweet sense of warmth. "Do you have a place?" Luigi asked, his eyes shining at the iridescent lights of the room. "No, I live with my family...! "I see. Me too. That is, not really but with my boyfriend. He is not jealous, lets me have my escapades, but we never bring our conquests home..." Piero smiled thinking that he was a "conquest" and thought that he would have liked to have a steady boyfriend, possibly one like Luigi... How it would be to live as couple, to have his own flat where they could live this intimacy... Luigi again squeezed lightly his hand and he felt ready to follow him everywhere, to do anything the other would have requested him. But Luigi, with a regretful voice, said: "Then, unhappily, we can do nothing, at least tonight. I'm sorry, I like you a lot." "Me too..." Piero managed to murmur, feeling a little dazed at that first approach, at that first evidence that he was desirable. "Do you feel like going out for a while and have a walk? Chat a little?" Luigi proposed. Piero nodded yes. They walked to the Murazzi and strolled up and down along the river banks. It was agreeable to be near Luigi, so closed to him. Piero felt attracted by that male, handsome, winning, self confident... They talk about lot of things (but not about sex). Then Piero realized it was near two 'o clock in the morning and said he had to go back home. "I'll drive you, I've got a car." Luigi proposed. "No thank you, I too have a car." "Ah. Can we meet again? For instance there in the disco?" "Sure, with pleasure. Do you want my telephone number?" "No. Never give your telephone or address to people you don't know well. Embarrassing things could happen, especially for you, still living with your family! If we meet, it will there, in the disco." Then Luigi looked all around, saw they were alone, girded Piero's waist drawing him nearer and kissed him in the mouth. Piero's first kiss. It was pleasurable, electrifying, and Piero had a sudden, strong hard on that the other felt with his body. Luigi, moving a little away, smiled at him: "It's a pity we cannot... but who knows, possibly next time. I'll take you to your car, now... before I start to undress you here, as I would like..." Smiling, they moved away. They went up to the square. Piero took his car and they said farewell. At home, he went to bed and, thinking of Luigi, he slowly masturbated, trying to imagine the other undressing him there at the Murazzi, and then embracing to make love standing, like the two he had seen in the bushes, accompanied by the discreet song of the river, caressed by the fresh breeze of the night, heedless of the danger of be seen... and after, Luigi would kiss him deeply in his mouth again, as he had done, but that second kiss would have been the seal of their intimacy, of their union and not just the expression of a desire. That night he dreamed we was on a bed (his own? or that of another?) naked, on his tummy, with a naked male on him (probably the same Luigi...) that slowly penetrated him and fucked him for a long, long time, while with one hand grasped Piero's hard member, pressed against the mattress... Next morning he woke up, recalling the vivid dream, decided that sooner or later he would succeed in making it happen, to make it real... If just he could have a place all for himself... So he started to look in the "Stampa" newspaper ads, looking even just for a small mansard, even a tiny single room, enough to put inside a bed, or even just a mattress. A place all for him... he had little money, but... A place where he could bring his "conquests" and be able to live hours of pleasure, of intimacy. The following week he met Luigi again. They danced together, talked, excited each other with light contacts full of desire, kissed again in a corner of the disco, Piero against the wall and Luigi pressed on him, feeling with a quiver of pleasure the reciprocal erections, the mutual desire, but at the end they had to say bye bye again without being able to do more. That evening Luigi had introduced him to a couple of his friends. One was Marco, the other Tony. Marco was really beautiful, but he didn't like him. He was full of money an hence... of himself. Tony instead was likable, but physically he wasn't attracted by him, because he was fatty, an irregular face, teeth not straight nor white, coarse hair... Anyway he had passed a good evening and his desire for Luigi had strengthened, widened. He started to feel his virginity like a burden. When they parted, he said to Luigi: "You really cannot find a place to go, you and I?" "No, not yet. But I'm trying. Who knows... I too am looking forward to be alone with you, in some quiet place..." Those words had pleased Piero: they were the explicit promise of future pleasures... Piero put his registers in his personal drawer, the compositions in his case, exchanged some words with his colleagues about some labor union problems, then set out for his home. It was now five years that he had lived alone. He had found a mini apartment, a mansard on Madama Cristina Street, downtown. When told his parents he wanted to live by himself, contrary to his expectations, not only did they not oppose, but his father said that if he would be in trouble with the money, to furnish it or to pay the rent, he could rely on his help. At times you create problems in your mind, that you discover are nonexistent. So, from the age twenty one, Piero was free and master of his life.