Date: Wed, 19 Mar 2008 15:49:22 -0400 From: A. Cheshire Cat <kierkegaard_is_cool@hotmail.com> Subject: Hungry For It 7 -- Hungry For It 7 -- The Pathetic Hero/or, The Stuff of Snuff A. Cheshire Catt kierkegaard_is_cool@hotmail.com [Author's Note: okay okay okay, so for all you sex-starved hounds hoping this is something like the last chapter or the fourth chapter, I'm sorry to disappoint you. Quite frankly, I'm just glad I got this story finished. I'm really impressed with myself that I was able to resolve it all to the extent that I have, but this scene is not really sexual, there was so much action that had to be covered, so many details, I felt, I needed to tie up, that I really didn't have opportunity to dwell of sexualities. I don't care if you hate it, but I didn't want a nearly-finished story out there in the internet when really I knew how it was going to end since the third chapter. I hope you enjoyed it. I apologize for the ridiculous extent I took the whole Charles/Charlie thing, but really it was an accident of bad editting, but I think I dealt with it well enough. Can't wait to write more stories that have nothing to do with this plot ... lol, I couldn't think of anything sexual to say about these people anymore and really enjoyed pulling the trigger and smashing the beer bottle. Enjoy the last scene ...] --- --- --- Even though the mail was stacked up at the door and hadn't been opened in weeks, even though there hadn't been a dish washed in the house since the last one got dirty, even though there were cans of beer all over the place, bags from weed and blow all over the table, heaps in the ashtrays and a foul odor coming from the washroom I got up that day and I went shopping. I bought myself a nice suit jacket and that Saturday night I dressed up real nice and put the gun I'd used back in the day in the back of my pants, in the small of my back, cold and dark and heavy with doom, and hid it all, all my intentions, with my fancy new suit jacket. My name is Charlie. Now I'm in my forties. I've had a long life. It's gone by in the blink of an eye. The blink of an eye is an interesting thing, and the blinking of my eye has caused me more pain than anything else. Some people they are born into good families and they do right and they get what they want and have a happy life, and their eyes are open for it all, they see things, wonderful things, and they have nothing to complain about when they close their eyes. Some other people though, they close their eyes, they fear what is there, and that fear holds them in a darkness that will last their whole life, what can seem like the blink of an eye turns out to be the nightmare that is their life. Once upon a time I was a kid too. I had been born into a good family and everyone in that family falls into the first category. It was in my mother's womb that I became different than the others. I was born with a variety of epilepsy. That isn't the reason that at a later age I would get involved with the bullies in my class, nor is it the reason that I became a professional thief. I could have applied my wit and intelligence to almost anything at all, but for whatever reason I applied myself to crime. The bank robbery was a job I did for someone that promised to cut me into the deal. It was a guy that seemed to be good to me but was in fact a selfish bastard and when I was caught did nothing, though he could have probably done something, to limit the time I did afterward. The people that know this sort of thing know the reason I quit is because when the alarm went off in the bank there was a flashing light that went off and being that I was looking right at the light for too long I was flipped out, I went into a siezure and fell to the floor and helplessly twitched and the police simply came and collected me and put me away. When I got out of prison I was already in my thirties. I quickly got some work as the house dealer at an after-hours club. Those were the best years of my life. I was just settled into this house along the busy road and there were always people around me that seemed to like me for what I had. Then one afternoon at the club the lights hit my eye a certain way and I failed again, I was weak, I had a siezure right at the club. The head dealer didn't want me working for him anymore, he cut me a deal for my situation and I settled into a life of anonymity thereafter. The party trickled to other places, seemed people didn't like me they liked the drugs. Then in my solitude I perverted myself, a long life spent alone tends to do that to people. They tend to distort their true wishes into something more primal and basic, they trail nature to its hiding-place. That's where, in my life, I found the kid, Charles. The life I knew with Charles was symphonically sweet. It was the stuff of Tristan and Isolde's need for each other, it was Pygmalian carving Galatea, it was the glory of God in a Mormon desert, it was triumph, it was freedom, it was peace and love. When Charles was taken from me I didn't know what to do. I freaked out. I went out after Dude because I knew Dude was the only one who knew the boy was with me. I chased after him and spoke to everyone that would know his whereabouts, people that knew who I was, people who didn't realize why I was looking for him. Anyone that ask was given this look like there was business between us and they accepted that as fact, and the vermin in the underbelly of society don't pry, but they eventually figure things out. See, people were talking about how Dude had come into money all of a sudden but no one knew how or from where, like I said they didn't ask questions. Some assumed it was that he had hijacked a quantity of some drug that could be divided into a cornucopia of plenty. Some presumed he'd offed some window and made off her with her loots. Some people suggested that he'd simply robbed someone of something of value ... I merely laughed, for they were so right. Then there was an article in the paper about a boy they found in a gully with his face smashed in and his fingers cut off. He had been disposed of in a professional manner, I believed that to be my Charles. I gave up. Then I was a little strange. Till yesterday morning: I saw in the paper that the house that had been Charles' family's home had been burned to the ground and I remembered the cold autumnal night when Charles had told me he would someday do something about them ... I had no idea he would have done something of this calibre, but there was no one else I could think of that would have the gumption to do it quite like that ... so I knew he was still alive and when I knew he was still alive I knew exactly what I had to do. I planned it all and when I woke up this morning I went out and bought the suit jacket and I went out into the night to get the boy back. Dude was the only one. I found him where I figured I would. I found him in the middle of the night in that club where I'd once worked. He wasn't working, he was buying people shots at the bar. He was wearing stylish clothes and there were girls all over him. The lights weren't so bad that day, word was the club had suffered financially since the summer after my siezure so they took down a lot of the lights and the DJs were now just local jobbies that didn't make music like they used to. I walked into the place and I walked right up behind him and tapped him on the shoulder. "Hey," he turned around all whacked out on something and it took a minute before his eyes worked right to see me. "Fucker!" And I punched him square in the face, smashed one of his teeth out and because he was all high on loads of shit he started bleedin and bled and bled and bled. This didn't stop Dude though, girls were screamin and there were guys comin after me who didn't know me and it was fuckin ridiculous trying to defend my honor ... Then I took a beer bottle, smashed it on the counter and got Dude into such a hold that I held his life in my hands and he knew it. "What the fuck you want man, what the fuck you want?" "I want the kid back Dude and you're going to tell me exactly what you did with him." "Fuck, it took you long enough." I looked around and saw that people were watching us pretty closely. Some of them were muttering something about 'the kid' and I knew they were completely misunderstanding the entire situation. "I've been dead without him you fuckin bastard, don't think it would take much to kill you." "Come on man, you don't need that kid, he's fine, he's doing better than any of us. You can find other kids, you can find other places to have the kid, you don't need that one. Trust me, it ain't like he's dying somewhere. Trust me man, you don't want to look for him anymore." "I don't believe you, I bet he's starving to death in a hell-hole brothel." "Fucker, think I'd sell some kid to my pa do you? You know that wouldn't happen man." "Where the fuck is he?" "Why didn't you come ask me that years ago? Why are you comin after me now?" "Tell me what you did with him." "You know what, you can't touch me man --" But then I did, I fuckin gashed his throat and blood shot everywhere in a big arc of a circle around him. In one swift movement I'd torn a gorgeous gash in his throat and tossed the bottle to the ground and then ran out of the place as fast as I could. I was being followed and I put this person to a chase. I ran back of the building, through a parking lot and then ended up on the far side of a small atrium poked my head around the corner of a statue to see that I'd been tagged by some scrawny bastard that looked like a poster-boy for addictions left-right-and-center ... he saw me. He had long shaggy blonde hair, and a big jaw-line. I knew him very well. "Hey, fucker, you want the kid back?" "What the fuck you know about the kid Mack?" "It's gonna cost ya." I stepped out of the hiding place and pulled the gun I was carrying out of the back of my pants. He froze in his tracks. "I was with Dude the day he did it." "Figures." Mack says, "I hated doing it man, it's been killing me ever since. I know where we took him but man, you've taken so long ... I thought I thought I thought you'd maybe killed yourself or something ... I was being haunted by you and the kid ... I hated my life, and then I would hear him ... I would feel him touching me in the night ... I couldn't stand it." His skin was crawling, he was on something. "Shut up, just shut up. I need you to show me where you took him." "No man, I said I would never go back there." I aimed the gun at his head. "Take me there." Next thing you know we're speedin up the highway and pullin into Little Italy. And we're driving down the road and we're pulling into some weird place where there seems to be barely any noise or sign of life at all. "Wait here man and I won't kill ya where you sit." "You're fuckin mad." "Shut up and don't move or I'll shoot ya -- or I'll find you and kill ya." "Ya killed Dude man, you killed him. He's dying right now at that club." It is the middle of the night by now ... I run up the stairs and I look in the window of the door on that second floor landing. I knock. I wait. I knock again. I see I have blood on my face. I wipe it off and I see then some movement out of the corner of my eye. Someone's down there comin out a door at the basement. I sneak down the stairs. "Hey, you." I hide the gun and storm down the stairs. The buddy from the basement is checkin out the car and then he sees me and he's all attitude and askin what the fuck we want. He looks kind of scared, a little doe-eyed in the headlights. The lights are behind me and he has to sheild his eyes when he looks at me. "I'm lookin for a kid ... you know where the kid is?" "What the fuck are you talkin about?" "I'm talkin about a teenager that was brought by here about three years ago." He looked at the car again. "Ya, that was a long time ago, what about him?" "What the fuck happened to him." "Like hell and I know. All I know is he had a tight fuckin ass, tightest ass I ever fucked. Miss the kid, but I know he's in a better place." "Who'd know where I would find him?" "Big Daddy did a deal a few years back, set a few things in motion. Everyone's living the good life cuz of that kid, money went all around." "What the fuck are you talkin about? Who is Big Daddy?" "Don't matter who he is. They're at his coming-of-age party tonight. I mean, if you know the kid you probably got an invitation." I didn't get an invitation ... at least ... I don't think I did. I turned around and hopped in the car. "Drive me to my place." Typical me ... the one time I forget to check the mail and that's when the little bastard sends me something. And there it was, fancy envelope, fancy writing. The place it's inviting me to is on Wolff Street. Nothing personal, no notes or suggestions or anything of the like, just this invitation to a little party. When I went back outside I found that Mack had gone off, probably back to the club to find out what happened with Dude, to go to hell with his friend. I waved my hand and got a cab and then I was off to this place. When I was driving down Wolff Street I was looking for a crappy little bungalow or something, I was thinking I was going to trailer trash town or something where there was a pig with a cage of kids, pokin them with a stick, teasing them with one of those noisemakers people have at New Years parties ... or something ... I was so mistaken. What amazed me was that this place was actually only a few blocks from the house that had burned to the ground. Next thing I noticed was that I was probably the only one that came in a cab, the rest of the guests seemed to have limos like stagecoaches parked outside and there was even a smaller party of drivers in the front courtyard. I stepped through the wrought iron gate and joined the drivers there. "Hey hey hey, you can't just go in there: who the fuck are you?" "I got an invitation." "You're late, it's already started." "What, the ballet?" "The human sacrifice." They laughed but it chilled me to the bone. I went through the door and there was some big black goon there, in a monkey suit, and he was taking the ticket then, shining it under a black light like someone might try to forge a ticket and sneak in or something ... "What the fuck is this place?" The chump gave me an orangutan laugh and held open a door through which I walked with much caution. He was going to escort me through the main halls of this place. We passed a dinner table littered with food and plates where the party must have met before going into the main room. There were the remnants of what must have been a feast. Mainly bones from roasts, stained wine glasses, lip-smacked tumblers, the skeletons of grape-bunches, the rinds of oranges, and the cores and pits of a variety of fruits. Inside I was nervous though. I could hear music playing far off. I walked with a certain twitch in my step. I wasn't sure whether to take a set of stairs up or down but then the goon in the monkey suit directed me to go down, down, from wher I heard some hoo-haas and felt like I was about to enter into a comedy: not knowing that it was actually a tragedy these devils found funny. The corridor spiralled down and down and I went with the flow until suddenly I arrived at a portal with two doors and listened through the heavy wood to what was happening inside. The goon pulled the doors open and pushed me and everyone turned around to see who'd disturbed them. I blushed and took a nearby seat. There was the sound of a dead-bolt being replaced at the door. I was trapped in this. "Drum roll please ... " A man with a deep voice declared. There was a large audience ahead of me and then a stage at the front, just a small theater, probably once used to entertain important people with plays the likes Shakespeare would be inclined to write. But this spectacle would be clearly designed at the hand of the devil. I stayed quiet at the back while a large man in chains was led to the stage. The clanging and scrape of the metal links was amplified by the hollow nature of the wooden stage. This large man I'd seen before, this was Charlie's father. The father that had stormed out that day and clearly kicked Charlie's mother. Two enormous men with leather vests and jeans on, men that were clearly large enough to tear this stone house to shreds, led Charles' father out and brought the bound beast to a strange bench that they lay him on, his head facing the audience. It made me think he had been laid there to have his head cut off, a la Revolution. They then stood back and allowed the audience to witness his vulnerability. I realized then there was some fantastic music playing, I peered through the crowd and saw a quartet set near the front, dignified looking chaps. If I'd known anything about that sort of thing I would have known they were playing Death and The Maiden. For the entire length of a single movement we watched as Charles's old black dog was led out onto the stage to sniff at the man and then to have the dog mounted on the man's rump where he knotted his dog cock up the paternal ass, insult to injury. The one man to Charles' father's left began to undress and revealed a long cock about 9 inches long. The one on the right undressed to reveal an aesthetically similar cock, of comparable proportions. They did a sort of dance where they went through the motions of facefucking him and the man on the bench growled with consternation. The slave was gagged, obviously they weren't going to shove their precious members into his mouth, this man-beast might actually try to eat them off. The audience laughed at the man's intense hatred of what was happening. Then one of them hit him in the face. The other too. They started punching him really hard. Blood was coming out of his face. He was woozy looking. Then one went behind him and started fuckin his arse. The man moaned and whined and make signs that the audience should help him. When one was fucking him the other was hitting him. Then the other went behind and fucked him and when he fought the first guy smacked his face. They were beating him senselessly. It was all rather dull. Then one man pulled a gun out and shot him, dead. The noise of it rang through the theater and little gasps escaped from the crowd, moans of pleasure and intense delight, the noise wolves make devouring a carcass, the noise the four horsemen of the apocalypse make when they grind their teeth as they climb over the horizon. --- --- --- Dead. Then an old bald fat man led a boy out onto the stage and pronounced the victim dead and said, "Now I am the boy's true father. I am his lover and I will always provide for him." The audience applauded. This is when the man at the back of the audience leapt to his presumed victory. He was lightening running down the aisle, he hit the stage like a bolt of electricity strikes. ran The audience watched through opera glass-objectivity. The man Charlie landed on the stage and made a plea to the boy, "Charles come back to me." "Charlie, you came!" "Of course I came ... I had searched for you for so long, but then I believed you were dead, but when I saw you'd avenged your innocence by destroying your family I knew you were out there still so I came looking again, this time I found you. Come back with me. We will live a long and healthy fantastic life together, and it will be so beautiful ... I want you ... I want you to come away from all this perversion and darkness and horribleness with me." The whole audience watched. Big Daddy was in the audience, he stood up and said, "Holy fuck Charlie, you're so slow. You're weak, you're pathetic. Go back to the hole where you crawled out from. This boy doesn't need you, he's liberated." The old man on the stage stepped in front of the kid. The kid didn't do anything. Man=Charlie thought Boy-Charles would have run into his arms. When the boy didn't join the man there was an overwhelming crush of embaressment, he looked guilty of presuming something, but then he thought that there must be some trickery or dark magic involved. "Surely you're not thinking straight boy, surely you want to come back to the life we had the days before. Surely you want the normal life, I can give you that. I promise, I can show you love." The gallery laughed, such a promise! It's the typical sort of promise but it's not possible. .The ugly old fat bald man hideously pet the boy Charles on the top of his head with a palsied claw, this made the man Charles want to throw up. "You've brain-washed him, you horrible monster." "I've done nothing of the sort, I've merely provided for him the things he needs to be what he wants to be." "You're horrible ... Charles, what about love, you knew what it was ... this is violence, this is horror, this is darkness. Why is it that you think the love you have for him is any better, or any more wholesome than the gifts I have given him?" Charles looked out from behind the back of the oldest man there. He waited to hear the man's answer to that. When he could tell the man-Charlie was speechless, the boy looked at the man and said, "You were supposed to come save me years ago, I've had plenty time to change, and I can't change back, I can't ... the pleasure I get from the torment this causes is so great, it's in the eye of the beholder now ... it's mine now ... it's power is great." "I don't understand you, you're talking in riddles." The oldest man, Mr. Peterson, the ghost of Wolfe Street, said, "What do you propose then Charlie ... are you going to save the boy Charles and raise him up right and make him into a new You?" There was definitely mockery in his tone. "I was going to do better." "You weren't going to let him be himself, you were going to change him, try to change him into a new You. This boy is a wild flower of a variety that has never been classed, but to think this flower would not have a known name does not mean he does not grow at all. And you intend to transplant him and ruin his chance of prosperity." "I don't understand." Then the man-Charles got outrageous. He aimed the gun at the oldest man there, the one who seemed to be controlling the boy, and to the reeling delight of the audience, he fired ... and all of them were blind to the reality of the bullet, all they saw was the wound, the open sore of serendepity. The old man fell to the floor between the boy Charles and the man Charlie and he held his arms out and said to the boy, "The choice is yours, I've taught you everything and given you all you've wanted." To the man-Charlie he said, "You've given me what I wanted to accomplish, my prompt delivery to the next chapter, and with end of this scene I feel we put out the light, and put out the light." The audience watched, the house, the building itself seemed to hum and sag and wearily weep the loss of it master, its lineage. Then the boy Charles looked at the man Charles and he said, "I thought you wouldn't come, I didn't know you would bring a gun. But I'm glad you did come, I'm please that you brought a gun. See, this old man you've shot is someone that needed a son to carry on his traditions into a next generation ... darkly through his life I've been borne again and I am clearing away all my past, my father, and all the potential futures that might have ruined me: see I didn't know you were coming, but I planned ahead in case you did." There was a ruckus at stage-left, a microphone was being turned on, the sound of high-heel shoes banged the floor where the chains of his father had scraped before. There was a drag queen coming out on the stage then, big afro, big hoop ear rings, short gold sequined dress, total disco, total rocked-out cocaine glam: Charles said, "This is Janet, Queen of the Disco, she's going to do a rendition of one of my favorite songs." And with that, in the closing refrains of this story there is the fantastic opening flourish of Gloria Gaynor's I Will Survive and then the look of confusion on the man-Charlie's face as everyone in the audience starts singing along ... and then ... just as the beat starts, with a look of absolute horror, a strobe light comes on, disco lights start twirling and whirling madly about and holy lord jesus as quickly as lightening comes when the thunder crashes in your head, the man Charlie fell to the ground and twitched and writhed and gurgled and choked and had no peace and in that last moment he saw the boy take his own gun aimed it down at his face ... and then the boy fired, instantly killing the pathetic hero. [of course I mean pathetic in the truest sense of the word.] And then the Audience Applauded.