Date: Sat, 25 Feb 2006 18:00:08 -0800 (PST)
From: "Darron, Darron The Witch, The Witch" <darronthewitch@yahoo.com>
Subject: The Loft Part 6 by Danny The Witch

[Author's note: This is fiction-- fiction fiction fiction--- Okay?? Just
remember-- FICTION!! BTW There is (not to the best of my knowledge) any
organization known as The Modern Day Templars-- I could be wrong, and if I
am, let it be known, that the organization in my story has nothing to do
with it.  Also-- My views about legalization of kiddy porn are just my
oppinions-- The dipictions of kiddy porn in this chapter are totally made
up and are not describing any actual kiddy porn.  How would I know I've
never seen any.  Please do not e-mail me asking me if I have kiddy porn-- I
do not.  If you e-mail me and tell me you have some would I like to see it
you're e-mail will be ignored.  Keep in mind that this is just a story and
I would recommed to anyone to obey the law.]



The Loft
By
Danny The Witch



Part VI



"Secret Agent Man, Secret Agent Man,
	They've given you a number, and taken away your name..."
					-P.F. Sloan and Steve Barri


"...We've got computers, we're tappin' phone-lines,
	You know that that 'aint allowed,
We're dressed like students, we're dressed like housewives,
	Put on a suit and a tie,
    I've changed my hair-style, so many times now,
	I don't know what I look like..."
					-Life During Wartime, Talking Heads




	Hi this is Douglass-- Did you miss me??  I know, I know, you
were thinking, well he's been hiding in the shadows, but where is
he?

	I know the story may have gotten a little confusing at this
point, and my brother's and I are going to try and make the story
become clearer-- Remember what I was saying before, that you got
to tell a story one domino at a time-- We may have gotten a little
ahead of ourselves-- or behind ourselves...

	I'm going to make some political commentary, for the benefit
of those who have been longing to hear some more of that, but I'll
keep it relatively short, for those who find it a bit boring, or off the
cuff, as they say.

	Mike's going to be telling some more of the story but before
him, I think its time that you all hear from our little brother
Edward.  Edward has a gift for storytelling. I wouldn't say that he
is better at it than Mike or I BUT he has a unique talent for being
able to explain things that are a bit complicated in an easy to
understand fashion.

	Ed's storytelling is different, and somewhat necessary at this
juncture of the story.  Ed is somewhat analytical, and incorporates
into his narrative details that Mike or I might overlook and neglect
to include.

	Keep in mind that Ed doesn't include any detail that doesn't
have significance to the story.

	With that being said, I just wanted to make a few comments
about a couple of things going on in the news lately.  Having to do
with child pornography.

	The first thing that I'm going to tell you is that Luis Carroll
(You know, the pseudonym of the guy who wrote the most popular
children's story of all time) gets the credit for being the first
photographer to take pictures of children in the nude and publish
them, and therefore is defined by some as being the first producer of
professionally produced kiddy porn--

	A lot of people already know that-- you can go on the internet
and do a search and find his photographs that he published-- of
course under another name-- and I'll leave that a bit of a secret for
now.

	The reason I'm bringing up kiddy porn is because this is going
to be important in the story.  Many of you may not know this but
The Central Intelligence Agency has been in the business of
producing professionally made kiddy porn for a very long time now-
- Oh shit-- the first phase was all the way back in the fifties--
where they took professional quality black and white photographs
of boys having sex with one another.  In the mid seventies is when
phase two started; the filming BUT, the CIA wasn't the first to do
that.

	The organization that gets the credit for making the first
professionally produced child porn films is The Gestapo, AKA The
German Secret Police.  They too, we're exclusively interested in
filming boys.

	Anyone starting to get curious??

	In fact, all covert government involved professional kiddy
porn production has exclusively involved boys.

	Doesn't that make you curious??

	Are you asking yourself, 'What's up with that?'

	Then, I have to tell you that, if you didn't already know--
about the reorganization of American Intelligence post WWII.

	As you already know, The O.S.S. used to be American Central
Intelligence-- but all that changed after WWII.  The O.S.S. was
completely re-organized, into what is now known as the CIA.  Only
thing is is what most people may not understand is WHY did that
happen.

	It happened because we almost got our asses kicked by the
Nazis in World War II.  America and The Brits didn't even realize
the extant of how close we almost got our asses kicked.  We had an
idea that the Germans were a little more advanced than we were
technologically but we wouldn't find out until AFTER the war,
just how advanced they were-- It completely shocked the American
government, just how far advanced the German's were-- In terms of
years, their technology was 20 years advanced to the Americans and
Brits.

	The American government shook their heads asking
themselves, 'How did a shit-ass depressed, economically paralyzed
country in Europe, in five short years, develop a war machine 20
years advanced in technology from the rest of the world? And even
more importantly, 'How do we prevent this from ever happening
again?'

	The answers to both questions is directly related to
intelligence.

	American intelligence, and British intelligence, we're both
completely fooled by The Gestapo-- An efficient, and most effective
group of magicians, that used deception and slight of hand to lead
foreign intelligence on wild goose chases that were in completely the
opposite direction of what the Germans we're really doing.

	The German intelligence, utilized something called
disinformation, that completely bamboozled their enemies-- so that
we realized after the war, that we didn't know jack shit about
ANYTHING the German's we're really doing.

	So effective was their Gestapo, that the Americans decided at
once to reorganize their own intelligence, utilizing the same ideas.

	You can read all about this in the first official top-secret
operation of the new CIA.  It was called Operation Paperclip-- and
it involved, covertly bringing Nazis over to America, and giving
them jobs to organize our new intelligence agency.

	The CIA is, undeniably, the continuation of The Gestapo.

	And, let's clear something else-- The Gestapo, was so effective
because, the Gestapo, controlled EVERY ASPECT of information,
not to the enemy, but to the German people.

	Intelligence, before the war, was logical.  In order to find out
information about your enemy, was primarily dependant on spies.
That is to say, spies who would infiltrate the enemy society, and
learn what the government was up to, PRIMARILY, by the
citizens.

	If the citizens don't know jack about what the government is
really doing, than spies are a great disadvantage.

	What the Gestapo did, is they spread misinformation to the
German people through the media and by EVERY conceivable
means by which the German people could receive information--
through the radio, through the news, through movies, books,
magazines, etc...

	This method of misinformation is called propaganda-- but the
Gastapo, took it to a brand new level.

	What people think the CIA does, is completely false-- it's a
cover.  Spies are outdated, and one of the reasons why we almost
lost the war.

	What the CIA does, is it controls what the people of America
know.  The CIA, as the Gestapo before them, control every aspect of
the media, entertainment, television, movies, books, magazines, the
press, etc... They use propaganda, and misinformation to create an
illusion for the masses-- the same as the Gestapo.

	There is not anything you can watch of television, read in the
newspaper, read in a magazine, see in a movie that the CIA has not
manipulated.  Even the Internet-- which by the way, the CIA
invented.  Not, however, to manipulate misinformation but to
spread kiddy porn-- but more of that in a minute.

	The other aspect of the CIA is to continue Nazi scientific
investigations.  Many of these scientific endeavors by the enemy
we're so far advanced scientifically, that they were and still remain
comletely top-secret.

	BUT-- just to give you a tid-but, the Nazi's created a little
bug called Ebola.  Does that ring a bell?  Ebola was the first ever
discovery of a retro-virus in nature. The second discovery of a retro-
virus in nature was H.I.V.  The two bugs are more similar to each
other than they are different and genetically, they are sisters.

	But, I digress again.

	Back to kiddy porn... You have to ask yourself, 'Why was the
Gestapo involved in the professional production of kiddy porn-- and
WHY was it exclusively boys and homosexual in nature?' and
WHY was the CIA involved in not only the production of
professional kiddy porn but in it's distribution all over the world??

	Yes-- through a little European country called The
Netherlands; which, a lot of people don't know, is kind of like a
little puppet-government for The Central Intelligence Agency.

	The CIA wanted to produce kiddy porn and they wanted it
distributed all over the world, so what they did is they covertly
gained the cooperation of The Netherlands, who shortly thereafter
legalized all child pornography.  This allowed now a base of
operations to be set up in The Netherlands where films could be
professionally post-edited, color processed, advertised, promoted,
sold, and distributed throughout the entire world completely legally.

	This directly lead to the kiddy porn "explosion" of the 1970's in
America.  Something you have all probably heard about-- BUT
what you head is probably misinformation.

	What the official government stance on what happened is, is
that the U.S. was flooded with kiddy porn from abroad-- this
would naturally lead one to believe that the films and magazines
we're primarily of kids who lived in other countries-- FALSE--
Almost all of the films, we're of AMERICAN kids, filmed in
AMERICA, AND distributed all over the world-- including The
United States through Amsterdam.

	Why we're they mostly all American kids??

	Ah ha-- another mystery.

	And why is the CIA doing this??

	And how??

	The FBI would have you believe that most of this stuff was
produced by Amatures.  They would say that the 8mm film camera
has just become available to the American public at a relatively
cheap price, and drunken dads decided to film their kids having sex
with each other.  BUT, if that is true, then HOW would they get
their films distributed all over the world commercially??  Think
about it-- you go to K-mart and by a new film camera and get
drunk and then talk your kids into performing sex on each other
while you film it.  Now you have the film, what do you do with it
now?? Sell it to the Mafia?? Come on get real!
Besides that, Why would anyone whose legally compromised in that
fashion actually want to film the evidence and distribute it all over
the world-- wouldn't that make you a little nervous?? That your
kid's faces are on film, to be analyzed by law enforcement for
possible identification?? Distributed all over the world??  Isn't it a
co-incidence also that The Netherlands decided to legalize kiddy
porn at the very same time??

	There are so many problems with this theory that they were all
amature films.  But I'll just point out one-- they were all in color.
And, the color processing was professional.  so, what did you do
with your film-- take it to Kodak for color processing?? Yea right!!

	Amatures may have been able to shoot with color film-- but
they could not have processed color film themselves-- but like I said,
that's just a tid bit.

	Probably, the better narrorator here would be Ed.  But first
let me address a couple of more modern issues...

	And it has to do with kiddy porn, like I said...

	I told you earlier that the government is getting really serious
with people who produce kiddy porn, of course they would have you
believe that it's all amature produced.  In particular, people who
molest kids and film it, and then distribute it.

	Now I'm not saying there isn't amature produced kiddy porn.
What I am saying is that a lot of it is professionally produced and
made to look like armature.  And in the early days it was almost all
professional.

	There are a few things I want you to think about concerning
all this because IF you really think about-- something just doesn't
make any logical sense...

	First of all, you would think that law enforcement and the
courts would actually ENCOURAGE people who are molesting
kids, to photograph it and film it.  You would think that the courts
would offer a lighter sentence to people who went ahead and
documented their crimes on film, and then distributed it all over the
world right into the hands of law enforcement who would have half
a chance to identify the victims, the perpetrator and therefore make
an arrest.

	It's called EVIDENCE!

	And in a way, these people are actually cooperating with the
police.

	Here is the basic scenario I want you to think about okay??

	Most people are smart enough to know that most child
molestation occurs without any kind of a camera being involved.
And this is no accident-- the perpetrators would have no logical
reason to involve a camera!!  Why produce evidence??

	So, here you have thousands of people molesting kids and none
of them are using a camera to document their crimes.  Most of them
will never get caught unless the kid tells somebody.

	So, naturally, what some of these people do, is they
photograph the kids, and distribute it all over the world.

	Something about that doesn't make logical sense.

	I don't know, is it just me??

	And then if a perp DOES photograph it, and distribute it, the
law is ten times more serious about it.  In other words-- play with a
kids weenie, and get caught, do a couple of years-- but photograph
yourself playing with his weenie, and distribute it across the
internet, and in so doing actually aid law enforcement, who
otherwise would probably never be able to catch the guy, and they
give you twenty years. And it's getting worse.

	There was a guy in Wisconsin recently, who they just
sentenced to life in prison for doing just that.

	Are you scratching your head??  I am.

	So the message the government is sending out to perpetrators
is perfectly clear.  The only question is, is it a logical message.

	The message is-- if you're going to molest kids DON'T
PHOTOGRAPH IT!!

	AND, if you do photograph it, keep it to yourself, don't
distribute it.

	Does it seem like to you that this kind of deterrence is a bit
ass-backwards???

	Something else to know is the European studies about kiddy
porn and child molestation.

	In the U.S., the government would have you believe that
people who look at kiddy porn are more likely to molest children.

	When in fact, the exact opposite has been scientifically
proven.

	Most people who are actively seeking to molest children,
usually do not possess any kiddy porn.

	Studies have shown conclusively, that men sexually attracted
to children, who watch kiddy porn on a regular basis are
exponentially less likely to ever act out on their compulsion.

	And there's another illusion that I must point out.

	The government would have you believe that child
pornography is a huge problem because it can lead to widespread
sexual exploitation of children.  In other words, if the government
would make kiddy porn legal-- a little while later, children all over
the place would be sexually exploited in order to make a profit.

	And this is simply fiction.

	Even before the Internet, there was hardly any profit in
producing kiddy porn-- now WITH the internet, no one could
possibly make a profit worth taking the risks.

	Even if there were no risks-- there is still no profit in making
kiddy porn, and here is why.

	The CIA has dumped pornography on to the internet to such a
degree, that anyone who wants the stuff, can easily obtain it, and
more than they could watch, all absolutely for friggin' free!!

	Who's going to BUY kiddy porn from anybody-- when you
can have as much as you want absolutely for free.

	Where's the profit??

	An amature who decides to document his crimes on film
would only be doing law enforcement a huge favor by dumping it
onto the internet-- none of them could make a profit of any kind.

	So what the heck's going on-- why does the government want
people who are molesting kids, to not photograph it, and not dump
it onto the internet.

	I'll tell you why because they are interfering with a top-secret
government operation.  They are diluting the kiddy porn on the
Internet.  The CIA has been dumping kiddy porn on to the internet
and they have a very special reason why they are doing it-- and it's
very special kiddy porn-- they want people to watch it, and you'll
find out more about that later-- but the amature stuff that people
are putting on the net is not the kind of kiddy porn the government
wants you to see.

	There are three very profound reasons why the government
would actually want to PROMOTE the free distribution of kiddy
porn, and they are:

	1) The legalization and free distribution of kiddy porn would
aid law enforcement to identify victims and perpetrators and also
aid The Justice Department to make convictions since the
photographic evidence can be admitted into court.

	2) As a result of easily obtainable kiddy porn, the result would
be, according to scientific studies, fewer perpetrators.  Since, many
people could control their sexual impulses to act on children by
directing that obsession towards kiddy porn instead.

	3) If people were allowed to legally view kiddy porn, and it
was easily accessible, many people who aren't looking at it probably
would-- the number of people looking at kiddy porn would
exponentially increase-- thereby exponentially increasing the odds of
people recognizing victims-- for example-- you're a school teacher,
and on the weekends you download kiddy porn and watch it, and
one weekend you're watching a film, and you recognize the kid in
the film looks like a kid that attends your school.  You print up a
still photo of the kids face from the film and then go to school and
compare it to the actual kid you suspect is a victim-- and wala--
you've just identified a victim-- which you can then inform the
authorities who can make an arrest and a conviction based on
provable evidence.  Bottom line-- the more people who view kiddy
porn, the more likely it is that victims will be identified, and the
more arrests that will be made.

	Anyways, like I said, Ed can explain better so I will let him
introduce the next part of the story...






	Hi, my name is Ed.  I'm the little brother of Mike and Doug.
Let me see here-- where to start where to start...

	I was dad's favorite-- we we're really close.  My dad is the
reason why I got connected up with intelligence sort of speak. I'm
the only one of my brothers that was allowed to get involved with
the agency, without having to have sex with a kid.

	Ironically, I'm the straight one.  Although I did fool around
with my brothers when I was very young, and what they didn't
know for a long time when I was older, my dad fooled around with
me too-- and I liked it and enjoyed it-- it's just that I outgrew it.  But, I
just wanted you to know, that although I am straight-- I do know
the pleasure of having gay sex as a boy, and also the pleasure of a
boy having sex with a man.

	Anyways-- I was dad's favorite, and therefore dad shared
things with me that he didn't share with my brothers.  Secret stuff.

	One of the first things that my dad shared with me, that
influenced me profoundly, was a stack of photographs, about two
feet high.  These photos had all been taken relatively recently and
they were all of extremely high-resolution black and white
photography.  They were all taken back in the fifties, when my dad
showed them to me.

	The quality of the photos were obviously professional-- about
the same quality as Ancil Adams shit.

	All of the photos were of boy's having sex with other boys and
also men.  They all seemed to by quite consensual and happy and
excited to perform in front of a camera.

	It was my dad who aroused in me and caused me to recognize
a powerful mystery associated with the photos.  I can still
remember...

	"What do you think Ed, about the photos," Dad said.

	"They're hot," I responded.

	"No, no, doncha get it?"

	"Get what?"

	"Why were these photos made? "

	I shrugged my shoulders.

	"Who made them?"

	Again, I shrugged my shoulders.

	"And, who are the boys?  Where did they find them??  And
how did they find so many?"

	All of the photos, I could tell, were made by the same people--
you could tell by the quality of the photos, the style, etc...

	I shrugged my shoulders again.

	"What do you think?? I mean-- did they just walk down the
street and ask kids, 'Hey-- you want to have sex with each other
while I photograph it?"

	"I don't know," I said.

	"Well- tell me one thing you can figure out from the photos."

	I studied the photos for a minute.

	"They're all having fun," I said.

	"Yes-- tell me Ed-- do you think that the photographer is
RELATED to any of the boys-- like their father or uncle or
something?"

	I thought about it, "No," I said.

	"How can you tell?"

	"Well, because there's so many boys-- they can't be all related
to the photographer."

	"I knew I picked the right one," my dad told me mysteriously.

	"Let me ask you a question Ed.  If a man was having sex with
his son, do you think it would be wise for him to involve other
children too?"

	"No."

	"Because it would make it more likely he'd be caught right? "

	"Sure-- I mean," I said, "One boy could probably keep a secret,
but involve two boys and the odds have dropped in half."

	"Involve scores of boys and..."

	"It would be a nightmare," I said.

	My dad smiled.

	"SO-- why did they photograph so many boys?"

	"I don't know."

	"They did it to make the observer ask themselves something,"
My dad said. "To ask why?"

	I nodded.

	"And how?"

	We explored many questions about the photos.  Many boys,
alone with the photographer, exposing themselves and acting sexy
and many also having sex.  We explored how the photographer was
able to get so many kids to allow him to photograph.  We
wondered, we're their parents involved?-- did they know?-- what was
the relationship between the photographer and the kids?-- we
entertained possible scenarios as to how the kids met the
photographer, and the circumstances that lead up to the photos.
And we explored the greatest mystery of all, and that involved the
photos that showed the adults.  They always appeared so relaxed
and confident.  As though, they did not fear, and had no anxiety
about appearing in the photos and had no anxiety about what they
were doing.  And they should have-- they were taking enormous,
illogical risks-- Everyway I figured it-- these men should all get
caught.  That's when my dad told me something I would never
forget...

	"No one knows, who took these photos, how they did it, who
the kids are, or why they did it.  They were never caught."

	My jaw dropped open all the way down to my knees...

	Dad also showed me a bunch of amature photos that were all
self-developed; sexy pictures of kids too, but wow, could you tell
the difference in the quality of the photos, and not only that, you
could tell that each set, were taken by different photographers with
a different kid, and a different style, and a different camera.
Obviously, these were photos taken by somebody who knew the kid
or kids.

	Then, dad showed me something else-- about the high-
resolution photos; something that I did not at first notice and
probably would not have noticed if he hadn't of pointed it out to
me-- There was something absolutely STRANGE about all of the
photos-- something that defied all logic.  I would, later on, see a lot
more kiddy porn in my lifetime, and I would be able to easily
identify the 'special' kiddy porn from the amature stuff because all
of the 'special' kiddy porn had these STRANGE anomalies that
completely defied all logic...


...


	Anthony Letigre sat in front of his television and stared at
the screen.  His mouth open like he was catching flies; his eyes
wide.  He had paused the video he was watching, and starred at the
strange symbol that appeared on the boy's wrist.

	"I'll be a son of a bitch," the forty year old man whispered to
himself.

	He went outside to drink a beer and smoke a cigarette.

	He brought his notes with him.  Tony had made extensive
notes involving the strange anomalies in the films he'd been
watching for about six months now.  Films that were all made in
the seventies in America.  Films he never paid for.  Films nobody
knew he had.

	Tony's lover of ten years had passed away about seven months
ago.  They say he died of AIDS, but nobody is for sure.  About a
month after he died, Tony discovered a box of VHS tapes hidden
away in the garage.  He knew they must have belonged to his lover
Steve.  He knew what they were even before he put one in the
V.C.R. because there were also old magazines from the seventies in
there; kiddy porn magazines.  All professionally produced.
American Kids.  There were also photographs in the box, much more
recent; of Russian boys; no sex, but definitely sexy.

	Also inside the box was a letter it read:

	"Dear Anthony,

	       If you found this box, then I've probably already
disappeared.  They never did find my body did they?  Don't worry--
I'm in a happier place now.  I never bought what is in this box, and
I had nothing at all to do with their production-- hell, I was a kid
back then.  Somebody gave me these tapes, and now I'm giving them
to you.  Watch them, maybe you'll learn the secret too.  Just don't
judge, because I may not have watched them for the reasons you
may think.

					Love,
					Steve."


	Tears started to form in Tony's eyes.  He grabbed the box and
took it inside the house.


	After seeing what else was in the box it was no surprise to
Tony when he popped a tape into the machine, and saw that it was
kiddy porn. All old, from the seventies, when Tony himself grew up-
- he recognized instantly the styles of long hair and the clothes that
American kids wore back then.

	Tony already knew that although they had been made to look
amateur-- they were anything but.  The color processing alone
would have cost more money than any profit the original producers
could have made.

	Anthony was a little shocked when he watched one particular
tape, and instantly recognized his lover Steve at about the age of
twelve.

	"So-- that's what this is all about-- You never told me,"
Anthony whispered to himself.

	He watched in amazement as his twelve-year-old lover
winked at him in a tape that was made thirty years ago.

	Anthony became a little obsessed with the tapes at this point.

	And then he had first noticed the strangeness, leading Tony to
suspect that NOTHING in these films were left to chance-- that
the producers controlled every detail, every nuance, from clothing,
to necklaces and rings and hats, to setting, etc... even content...

	The first thing he noticed was the letter 'P' clearly marked on
a boy's right wrist.  When Tony had first seen it he thought to
himself, "What the hell?"

	And then in another film, a boy was wearing red socks.

	Tony thought that was weird.

	And then just by co-incandesce, he watched another film right
after, and that boy too was wearing red socks.

	Since all of these films, it was obvious to Tony were produced
by the same company, Tony had started making notes.

	He did a Google search for 'Red Socks' and was amazed to
discover that there have been rumors for years that the red socks
baseball team was involved with the C.I.A.-- the team has flown
numerous times on Air America which is an airline company known
to be a CI.A. front.

	There was a music soundtrack on this particular film.  It was
the song, 'Nature Boy' and spoke of magic and enchantment.

	Tony started making notes, and he found much to write
about.

	More symbols; there was the cross on the upper arm of a boy
in another film, in the same magic-marker looking tat.  On the boy's
index finger was another cross but this one inverted.  He looked
closely at the younger boy in the film and noticed that he had
pointy elf-like ears-- very odd.

	Then he discovered the pentagram on the hand of another boy
in another film.

	A triangle on the palm of yet another boy in another film--
with two diagonal lines extending out from it.  That mark appeared
to be a burn.

	Then there was the scar on the wrist of the boy with the
pentagram-- it appeared to be like a suicide slash across his wrist.

	Then there was the number '9' written on yet another boy's
left wrist in another film, with black magic marker is what it
looked like.

	The cross, he'd seen in some Russian photographs much more
modern.  The suicide scar also-- he'd seen that before too; a boy with
a scar all the way across his neck from ear to ear-- how he survived
that, he had no idea.

	Strangeness.

	But looking more closely at another set of Russian
photographs of two boys about the same age, with matching
sutchers on their faces-- Anthony could see that it was special
effects-- it was real obvious to anyone with some experience with
makeup.  'Why would kiddy porn producers deliberately use makeup
to create cut marks and scars on the boy's they're photographing?'

	There were a lot of similarities with the Russian photos and
the American films-- the markings also.

	Strange marking on the Russian kids.

	But, back to the American Films.

	Then, there are the rings.

	Kids are repeatedly wearing rings on the wedding finger--
weird.  Are they married?

	And the watches-- kids wearing watches.

	Kid's wearing jewelry of all sorts-- really weird, necklaces,
rings, etc...

	His notes were extensive.

	Then there was the content-- really really weird-- all the kids
were natural and spontaneous-- they showed no awareness of the
camera, as though they had no perception that they weren't by
themselves.

	They couldn't find these good of actors in adult porno, Tony
thought.

	They laugh, they play, and its spontaneous, and they have sex.

	Tony became obsessed with the markings, what did they mean.

	'p, t, t, 9, a pentagram, a triangle...'

	Magic... yes, magic insinuated throughout the films.
Insinuations of physical manifestation, insinuations of alternate
realties, insinuations of time travel...

	"What does it all mean."

	Just by co-incidence, Last night, Tony had been on the
Internet doing a Google-search on magical societies, and happened
to read a blog about a society known as 'The Modern Day Templars'

	According to this blog, this guy was saying that they molest
children and make kiddy porn, and that a lot of them are Spooks.

	That got Tony's attention.

	The blog went on to say that they have nine degrees of
initiation and that their magic is based on sex magic.

	There was a quote from Alister Crowley in the blog that
stated something like:

	...There was a missing component in Western Magic,
something that was known in the east that wasn't discovered by
the west until Freemasons traveled to Tibet.  And this is the
relationship between sex and magic...  ...This is the secret that every
true magician has discovered since the beginning of time, that sex
that is not natural, is likely to produce a magical effect.  Such as,
incest, homosexuality, and pedophilia...

	Anyways, he read some more blogs about this magical group...
people who agreed others who disagreed.. and the next morning
Tony decided to go to the home page of this international magical
society, that allegedly started out as a Freemason Lodge in Berlin
before the war and during the war had some pretty famous members
such as Himmler, and Adolph Hitler himself.

	We he loaded up the main page, Tony nearly shit a brick.  He
saw their name at the top : THE ORDER OF THE MODERN
DAY TEMPLARS

	And then below that their official seal, which consisted of a
triangle with two diagonal lines coming out of it-- similar to the
logo in A CLOCKWORK ORANGE-- except this triangle had an
eye in the middle of it, like the one on the back of the U.S. one
dollar bill.

	Below the triangle was a pentagram, and below that was
their official motto, which is what nearly caused Tony to shit a
brick or two.

	The motto was simple and elegant, consisting of three words
only:

	Patience, Trust, Truth

	"Holy shit!" Tony exclaimed out loud. 'P, T, T, 9 - - Patience,
Trust, Truth' and then continuing, 'The triangle with the diagonal
lines, exactly like on the boys hand, the pentagram-- The nine
referring to the nine degrees--Holy Crap Batman!"

	Now, outside in the backyard, Tony looked at the print out of
the official logo and whispered to himself, "Son of a bitch!  This is
it-- there's no doubt about it.  Only question is is why would a
magical society, put these clues in 30 year old kiddy porn?"

	...

	"Hi there, " Mike Moore said shaking hands, "You must be
Anthony LeTigre"

	"Yes, LeTigre rhymes with Tiger, kids used to say, 'Hey it's
Tony Le Tigra - It's grrrrreeeaaatttt!!!!!!"

	"My name is Mike, how are you."

	"Good," Anthony said.

	"So-- What's you're interest in the OTM?" Mike asked.  Mike
immediately noticed the markings on Tony's body: the letter t on his
arm, the letter t on his index finger, a triangle with diagonal lines
on his palm, the letter p on his right wrist and the number 9 on his
other wrist.  He also noticed that Anthony was wearing a
pentagram around his neck, and had a gold ring on his ring finger.

	"I've seen some things," Anthony said, "And your
organization-- it all fits-- I believe in magic." Anthony said.

	"Do you?" Mike said.  "I'll tell you what.  We all get together
for a magic class on Monday nights-- why don't you come."

	"Sure-- Can I?"

	"Sure," Mike said handing Anthony an application to join the
society.  "You'll need two sponsors, I'll be happy to be one of your
sponsors-- Come to the class, get to know people-- that is If you
want to be a member."

	"Gladly," Anthony said.

	Anthony went to the gatherings on Monday nights.  They
talked a lot about sex magic and Alister Crowley.  Eventually
Anthony got a second sponsor and was sworn in as a secret member
of the society sworn to secrecy.

	One night after class Mike invited Anthony out to coffee at
Denny's.

	After they got their coffee Mike whispered to Anthony, "So--
how'd you like to have sex with kids and star in kiddy porn?"

	"What?" Anthony said.

	"You wana be in kiddy porn don't you?"

	"Don't you think I'm a little old for that?" Anthony asked.

	"No," Mike said.

	They both stared at each other.

	"How would you like to skip 8 degrees and go right to the
ninth?" Mike said.

	"Okay," Anthony said.

	"You want to know what the secret of the ninth degree is?"

	"Sure"

	"It's how to become young again-- you want to do it?"

	"Sure," Anthony said.

	The following week, instead of going to the magic class, Mike
and Anthony met up at Mike's house to conduct a little 'experiment'

	"Next week-- you'll be in kiddy porn-- aren't you excited?"

	"Sure," Anthony said.

	And then that night after he got home, he had the biggest
shock of his life.  He put a tape into the VCR that he was certain
he had seen before, but he was wrong because an entirely knew
scene was playing on the tape.  It was filmed thirty years ago but....
but...

	"How can this be?" Anthony said out loud.  His jaw hung
open.  His heart pounded hard in his chest-- he was looking at a boy
about eight years old in this scene that was ... him.  There was no
doubt about it-- it was him.  He was even wearing the watch he
remembered having at that age.  As he watched the tape-- he saw
himself wink at himself.



	"--ACTION--" The man said from off camera.

	Tony was eight years old.  The boy he was with was Jeff and
he was about ten.  The two of them had already had sex before but
this time, it was in front of cameras and in a way that made it even
more exciting to Tony.  It was almost as if they were doing it for
the first time.  It was like the exact opposite of Voyeurism-- it was
like exhibitionism.

	In Tony's mind he was alone with Jeff.  He ignored the bright
lights and the cameras and all the adults walking around doing
stuff.

	Jeff and Tony were sitting on a couch.  Jeff leaned into him
and they both kissed.  It was different than before however, they
both kind of sucked on each other's lips and mouths-- it felt really
hot to little Tony.  He had no idea that kissing another boy like this
could feel so... passionate, burning, his groin on fire, his penis little
but forming into full harness inside of his pants.

	Tony and Jeff continued to suck on each other's faces for
about a minute, and then the two separated sitting next to one
another.

	And then Jeff rubbed Tony's crotch.  The camera moved in for
a close up but Tony totally ignored it.

	Jeff got up off the couch and undid Tony's pants.  He then
pulled Tony's pants off of his smooth, slender legs, and then pulled
his underwear off too.

	Jeff then got down on his knees and sucked Jeff's small but
stiff prick.

	Jeff leaned back and subtly squinted with the bright light in
his eyes.

	Jeff was turned on and excited like never before in his entire
life.

	He enjoyed the sensations of Jeff's mouth on his erection, and
was all the more excited that he was doing it while others were
watching-- adults-- how many Tony could not tell-- a lot; all
unseen, and from the future.

	After several minutes it was Tony's turn to suck some dick.
Jeff stood up and leaned his privates into Tony's face.  Tony took
Jeff's boner into his mouth which was quite a bit bigger than his
own and just as stiff.

	The cameraman moved in close, as Jeff fucked Tony's mouth.
Tony being able to take all of it into his mouth.

	There was a fire that burned out of control inside of Tony.
Not only was he sucking a kid's dick but he was doing it and being
watched.  It was incredible.  He sucked and sucked and let Jeff
fuck his little mouth with more passion that he'd ever sucked dick
before.

	In another few moments Jeff had a little orgasm, and Tony
was surprised that a little bit of salty liquid came out of his dick
into his mouth. Only about three little drops but they got in on
camera-- Tony even stuck his tongue out so the camera could see the
drops.

	Then Jeff took off all of his clothes and got down on the floor
on his hands and knees.

	It was Tony's turn to fuck Jeff.  He got into position and
after anointing his erection with some oil, proceeded to insert his
dick into a ten year old boy and started fucking him.

	The lights, the cameras, the men all added to the sexual
excitement that was building.

	Tony really smashed his pelvis up against Jeff's ass to get all
of his inches inside of the other boy.  Tony was amazed at how
perfect the human body fit together in this position; front to back--
the curves in Tony, perfectly lined up to the curves in Jeff, as
though the very shape of their bodies revealed a secret-- to facilitate
being able to get your small dick in as deep as you can!

	Tony could see that Jeff could feel him inside of him-- he
looked like he was in ecstasy.  In and out, in and out, in and out,
Tony fucked the ten year old-- bucking him to make up for his
smaller stature; to make him feel all of his three inches.

	Tony had three dry orgasms in a row as he fucked Jeff.  Jeff
had another orgasm also.

	After they fucked they both laid down on the couch together,
and wrapped each other in their arms, and kissed.

	"--CUT--" A voice said from off camera.



End Part VI

Weird eh???  Send comments to Darronthewitch@yahoo.com.