Date: Wed, 21 Dec 2011 14:05:40 -0800 (PST)
From: Christian Debus <servus4u@ymail.com>
Subject: "Changed Circumstances" Chapter 48 Gay Male / Authoritarian
CHANGED CIRCUMSTANCES
A Sequel to "A Reversal of Fortune"
Chapter 48
This is a story of erotic fiction meant for adult readers over the age of
eighteen years
Written by Jean-Christophe (Chris)
"An archive of my stories can be found at
http://groups.yahoo.com/group/Jean-Christophe_Stories
The characters and ideas contained in this story are the writer's and
shouldn't be used without permission. Please respect the integrity of the
story and don't rewrite."
Chapter 48: "Back to the City"
Guy
Rafe is magnificent!
I look down with lustful anticipation as he crouches before me. He has just
paid homage to me by kneeling and kissing my feet. I am savouring the
moment and I haven't yet given him the command to break position and stand
at display. I am enraptured by the sight of his head pressed to the floor
and his ass pointing to the ceiling. And it is an ass that I am about to
claim as mine.
For I am about to exercise my owner's right of "jus primae noctis" or as my
French ancestors would prefer it - "droit de jambage".
Either way it means the same thing. I am about to fuck Rafe!
I have waited six months - or for as long as Rafe has been my slave - to
extract my revenge on my Barrois relatives who caste out my beloved
grandmother from the family and disowned her and her descendants.
My grandmother raised me to hate her Barrois family. From my earliest
recollections, she instilled into me a need for revenge against them. And I
had been a willing student. For growing up in poverty, it was very easy for
me to hate them. While my grandmother and my parents lived a precarious
hand to mouth existence, the enormous wealth and prestige of the Barrois
had always taunted us with its unfairness and its excessiveness.
How many times have I heard my grandmother curse her parents and her
brother, Jean- Claude for their unfairness in denying her son - my father -
and me our birth right? Those occasions are too numerous to recall.
And when my great-uncle Jean-Claude died, he'd done nothing to make amends
to his sister, Charlotte. He'd done nothing to redress the wrongs committed
against her by her parents and from beyond the grave he'd continued with
his family's rejection of my grandmother and condemned her to ongoing
poverty. After her estranged brother's death, the focus of all her pent-up
fury was on the sole surviving heir, Lucien Barrois and she'd worked to
bring him undone. And she'd been spectacularly successful.
It was she who unearthed the secret details of Lucien Barrois's shameful
birth. But, there are times when I wonder about the veracity of her claims
that Lucien is the progeny of a slave woman. Always at the back of my mind
is the niggling doubt that she'd manufactured the evidence.
Not that this would make any difference to my position. Over the past six
months, I have become accustomed to being Guy Maratier, the inheritor of
the vast Barrois business enterprises and La Forõ€'˜ plantation. That
Lucien had been displaced by me and returned to slavery worked to my
advantage. That Lucien was now the slave, Rafe - my slave - doesn't unduly
concern me.
However, I was and remain curious about the truth or otherwise of my
grandmother's claims. It had been my intention to wait for the proper
moment to ask her outright for the truth. For me there'd have been a
delicious irony in learning Rafe had been wronged and falsely deprived of
his birth right and freedom.
Now of course, the question is academic. My grandmother has been paralysed
by her untimely stroke and she can neither speak nor write. Recently, I put
the question about the legitimacy of Rafe's enslavement to her and asked
her to confirm if my suspicions are correct with some sign like the blink
of an eye or a twitch of the finger. She sat impassively and didn't respond
to my question. Whether this was because she is incapable of any response
or she deliberately chose not to tell me the truth I can't say. What is
certain however is that she will carry that secret to her grave?
And I'll never know if Rafe was falsely enslaved.
Initially, it had been my intention to extract my revenge on Rafe by
breaking his spirit and reducing him to the lowest level of slavery; first
as a common field-hand and draft slave at La Foret and then to further
humiliate him by running him naked as one of my personal ponies. Like
Shylock, I wanted my pound of flesh from Lucien Barrois.
But my vengeance wasn't to end there. Not by a long shot! I'd decided I
would keep Rafe for say two years and then inflict the ultimate indignity
on him; I would publicly display him and sell him at auction in the
slave-market.
In my mind's eye, I visualised Rafe's pre-sale inspections and saw him
standing alone and forlorn on the auction block as the buyers battled one
another for the right to own him. That was to be the Maratier's ultimate
revenge. And if it is true that Rafe had been wrongfully disinherited and
enslaved, then I would tell him so as he stepped up on to the podium. I'd
relished the thought of Lucien knowing that he'd been unjustly
enslaved. The thought that this miscarriage of justice would haunt him for
the remainder of his days consumed me with its delicious irony. Because of
my grandmother's shaping of my character, I hated Lucien Barrois that
much. And in telling Rafe that he'd been cruelly wronged would make the
Maratier's vengeance that much sweeter!
But until I sold Rafe, I'd resolved to make his life as hard as I possibly
could. I took every opportunity to humiliate him both privately and
publicly. I recall his shame when he first came into contact with three of
his boyhood friends at Lionel Schuster's slave-market and how I'd invited
them to watch as the slave-dealer evaluated him. And of course, I'd shamed
him later when I invited them to my home and ordered Rafe to kneel before
them and to service their cocks with his mouth.
I punished Rafe on the slightest pretext. I'd had his ass caned on numerous
occasions sometimes by my former house steward, Cato and at other times I
borrowed my neighbour, Major Swanston's brutal slave Pug to administer the
cane.
It had both amused and gratified me to watch as the formerly proud, young
aristocrat Lucien became the naked, tamed slave, Rafe. And my satisfaction
increased as I followed his steady descent into slavery at La Foret. I'd
openly gloated as he toiled on the water-wheel or strained under the yoke
in a team of heavy duty draft slaves. And I'd regularly subjected him to
the public shaming of my very explicit hands-on inspections as he trained
to become my pony slave.
Over the six months I watched as Rafe went through several
transformations. Obviously the most traumatic of these was his loss of
freedom and enslavement. I can only imagination at the emotional effect
these had upon my hated, distant cousin. True, I had witnessed his look of
utter disbelief in the courtroom as Judge Matthews pronounced him to be
slave-born. I'd been present in the court's forge as he was branded and
collared and I revelled in his very public shaming as I ran him naked
through the city for the first time.
And beginning tomorrow, Rafe nakedness will become a common sight on the
city's streets and boulevards as he runs alongside my other pony, Norge.
I recall the frightened, bewildered new slave I'd taken out to La Foret six
months ago and I'd made it my business to torment and humiliate him at
every opportunity. Tonight, Rafe kneels at my feet and awaits my pleasure
and I see a very different Rafe. Rafe's demeanour is now that of a true
slave.
Six months ago I'd envied Lucien Barrois for his good fortune and despised
him for his easy self-assurance.
However, as I now look down on the naked slave crouching at my feet, my
emotions are mixed. The hatred that I'd felt for the free man, Lucien has
largely dissipated and has been replaced with ambivalence in my attitude
towards the slave, Rafe. What has happened? What has brought about this
change of attitude on my part?
Six months later, Rafe the slave has an air of wounded vulnerability that
plays on my emotions. As I look into his eyes, I see the sorrow for all he
has lost and the pain of all he has suffered at my hands and those of my
grandmother. If I am honest, the uncertainty of whether or not Rafe's
return to slavery was legitimate does weigh on my conscience. But not to
the extent that I want to see him set free and restored to his rightful
inheritance. I am far too greedy for that. I enjoy being Guy Maratier,
Esquire far too much to want to give that back to Lucien Barrois.
No, the dye was caste the day the judge found in my favour and for me there
can be no going back. Today's status quo will be maintained. I will remain
Rafe's Master and he will remain my slave.
Yet, as I gaze upon him, I do feel a tenderness towards him that wasn't
there six months ago and which had only recently manifested itself.
I recall how during a visit to La Foret, I'd ordered Rafe to stand at
display so that I could inspect him. I was impressed with his instant
compliance with my command and I had complimented his overseer, Conn on his
training of Rafe.
And as I subjected Rafe to close scrutiny and a hands-on inspection, I was
suddenly struck by his close resemblance to me. This thought had never
occurred to me before and it came as a shock to suddenly think that we
shared a common bloodline - albeit that his could be tainted by the blood
of the slave woman, Ophelia.
Suddenly, the thought that we are related hit home. This slave is my
distant cousin. And I was overwhelmed with a deep sense of regret for what
might have been and what we'd both missed out on.
As an only child, I'd led a lonely existence made even worse by my family's
poverty. And I'd always regretted that I never had siblings to share in my
life.
I know that Lucien Barrois was an only child, who'd been orphaned at an
early age and raised by his doting grandparents. I wonder if he too had
felt loneliness as a child. I have seen the loneliness in Rafe's eyes but I
had assumed this to be the result of the isolation of his slavery. Now I
wonder if there is more to his sense of sadness. Perhaps like me, did he
suffer a lonely childhood? How different things could have been for both of
us.
Rafe, like me, is a victim of circumstance and we have come to this moment,
not through any actions of our own. Rather we were simply pawns in the
bitter game played between his grandfather and my grandmother. We were
swept up in the tumult of their feuding and kept apart.
Now, as I look down at Rafe, I regret we'd never met before that fateful
day in the courtroom. Rafe is my junior, and all things being equal, I
would have enjoyed having him as a 'younger brother'.
Instead the fates have conspired to make us Master and slave.
Tonight, Rafe is on his knees before me in my bedchamber. He is truly
delightful and the stripes of my driver's whip on his upturned ass and
shoulders make him even more alluring.
These are the same stripes that I had lovingly laid upon his body on the
way home earlier today.
>>>>>>>>>>>>>>>>>>>>>>>
The Journey Home
I am to leave La Foret early this morning for the return journey to the
city. True to his word, Claymore has harnessed Norge and Rafe to a two pony
trap for my return trip to the city. As it is early morning, I decide to
eat a leisurely breakfast on the porch before my departure. From where I
sit I can see both my ponies tethered to a hitching rail and waiting
patiently for me.
I watch as Colton supervises two of the house slaves loading my luggage
into the rear baggage compartment of the trap. For some reason, Colton is
in a foul mood - lately I could best describe Colton as ill-humoured and I
am having trouble accepting his moodiness - and he is taking out his bad
temper on the two, young slaves.
Even I can see the injustice of his treatment of the two, wretched boys but
I can't intervene on their behalves. To do so would be to undermine
Colton's authority over them. He flails them with both his tongue and his
strap until their ears ring with his foul abuse and their shoulders and
asses burn from the red stripes he's laying upon them.
Then, in a panic, one of the slaves drops a suitcase onto the
driveway. This is enough to send Colton into frenzy. Viciously, he beats
the slave to the ground but even this isn't enough to assuage his anger. He
continues to lash out at the screaming slave who rolls himself into the
foetal position in a vain effort to protect himself.
No damage has been done to the suitcase and I consider the slave's
punishment is totally out of proportion to the seriousness of the
offence. Although I have to admit the slave should have taken more care of
his Master's property and some punishment is merited. However, to my mind
two or three hits of Colton's strap would suffice?
Even though I think Colton's punishment is excessive my chief concern isn't
with the slave's discomfort; rather it has more to do with the potential
damage being done to him. The slave is, after all, a valuable asset and any
permanent damage done to him lessens his value to me. He is as essential to
the good running of my plantation as any other piece of equipment and to my
mind Colton needs to respect that. I'm sure Colton wouldn't deliberately
set out to damage or break a piece of machinery -even in a moment of anger
-and so why would I allow him to irreparably damage a slave.
I have no qualms about any of my overseers punishing a slave - if it is
warranted. Indeed, I expect them to maintain strict discipline among my
slave herd and if an overseer can't do that then there is no place for him
at La Forõ€'˜.
But I expect any punishment given to a slave to be both warranted and
judicious. Despite my earlier inexperienced position, I am now opposed to
any punishment that is capriciously given to a slave simply on the whim of
an overseer. The overseer has to justify such punishment to the chief
overseer, Claymore Jackson who shares my view.
This is a major shift in my thinking and it shows my growing maturity as a
slave-owner. Six months ago, as a novice slave-holder, I had subjected Rafe
to several harsh canings and other punishments. Several of these
punishments were without valid reason; I'd deliberately manufactured them
simply because I could do so. And at that time, I was motivated by my
grandmother's overriding need for revenge against her Barrois family.
Lucien Barrois was the target of her hatred and the slave Rafe became her
whipping-boy and I had acquiesced.
But over the past six months Rafe has changed just as I have changed. He
now accepts the fact that he is a slave - my slave - and this has altered
my feelings toward him. As my pony we are entering into a new phase of our
relationship. Of necessity, this must be built on a basis of mutual trust
and regard and already I feel - at least from my perspective - a growing
affection between us. This is much the same as my feelings toward my other
pony, Norge.
But my new fondness for Rafe doesn't mean that I will 'go easy' on him and
if I consider chastisement is necessary, then he will feel my
displeasure. But this rule applies equally to all my other slaves.
In fact, one slave has displeased me and tomorrow I must oversee his
whipping.
Before leaving the city for this latest visit to La Forõ€'˜, I'd
received a complaint - and it was the latest of several others - from
Cadmus, the new house steward I purchased to replace Ben as my
grandmother's steward.
This became necessary after my grandmother suffered a debilitating stroke
which left her paralysed and unable to speak. The many specialists I'd
consulted all gave me the same opinion. My beloved grandmother would need
constant, round the clock attention and rather than entrust her to the care
of an indifferent stranger, I'd chosen to appoint Ben as her carer and body
slave. Given the great trust that I'd placed in Ben, you'd expect that he'd
have responded positively and worked diligently to ease his Mistress's
burden. But he didn't and this disappointed me.
Cadmus is an older - and wiser - slave and is admirably suited to manage
the household of his invalid Mistress. He hadn't come cheap. In fact, I
thought his price was exorbitant and I suspect the slave-dealer, Lionel
Schuster, knowing how desperately I needed a capable replacement for Ben,
had deliberately overstated his worth and inflated his value. I wasn't in a
position to argue with him - the slaver's attitude was very much 'take it
or leave it'- and so I had purchased Cadmus. From my point of view no
amount of money was too great to spend on my grandmother's quality of life.
And I have to say Cadmus lives up to all my expectations.
However, the same can't be said of Ben. Obviously piqued by his replacement
as house steward, he'd seen his new role as the care-giver to his Mistress
as a demotion and not as an elevation of my trust in him. Ben became
resentful of his new role - which I understand from Cadmus he sees as
demeaning - and he is neglectful of his duties to his Mistress.
Patiently, Cadmus tried at first to reason with Ben but to no avail. Ben
became surlier and more unco-operative by the day until finally, Cadmus had
to resort to caning Ben in an attempt to refocus his mind on his new
duties.
Cadmus had kept me informed of Ben's intransigence - I visit my grandmother
daily to check on her well-being - and so I became aware of his problems
with the troublesome, young slave and I fully endorsed his punishments.
However, in view of my past fondness for my former body-slave, I made
allowances for Ben's bad behaviour initially believing it was simply an
aberration in his otherwise impeccable record as a willing and obedient
slave. I believed it was a case of allowing him to adjust to his new
duties.
But the evening before I'd left for La Foret, I'd received word from Cadmus
that the situation with Ben was worsening. He was contemptuous of Cadmus's
authority and had become argumentative refusing to carry out any
instructions given to him. Worst of all, his surliness was affecting my
grandmother's wellbeing. Ben was openly impatient with her and her needs to
the point of callous neglect. No matter how many times Cadmus remonstrated
with Ben about taking proper care of their Mistress, he chose to remain
defiant.
To say I am angry is an understatement. Ben, in whom I'd placed such trust,
has disappointed me. I'd been lenient with him but would be no
longer. Ben's bad attitude has become intolerable. I have lost patience
with him and I must now resort to more drastic measures.
Tomorrow morning. I will drive Norge and Rafe over to my grandmother's home
and have Ben soundly whipped and I will ask Major Swanston if I can borrow
the services of his odious slave, Pug to administer his whipping.
When I'd appointed Ben as my grandmother's carer and companion, I realised
that his new duties would be unpleasant and even irksome. But I knew of my
grandmother's uncharacteristic fondness for Ben. It was an affection I
thought he returned and I felt he, more than any other, would take care of
her with loving devotion.
With my grandmother's inevitable passing, I'd resolved to reward Ben for
his services to his late Mistress by freeing him from slavery. I had
instructed my lawyer, Simon Barrow to prepare the documents for Ben's
manumission. Additionally, I'd also decided to grant him an ex gratia
payment sufficiently large enough for him to re-establish himself as a free
man. And because of my fondness for my former bed buck, I'd decided to
offer him fulltime employment in one of my enterprises.
But Ben's behaviour is inexcusable! I feel betrayed by him and I now see
him as a cunning, manipulative slave who'd used his body and his charms to
beguile me. I can't forgive him for this and I will have him flogged until
he promises to serve his Mistress with all proper care and devotion.
And rather than reward Ben with his freedom after my grandmother's demise,
I will extract further revenge for his lamentable behaviour. He will be
taken to La Forõ€'˜ where he'll spend the rest of his days as a
common field-hand.
Before he is taken out to La Foret, I will tell him how close he came to
gaining his freedom and how he'd forfeited it through his bad attitude and
poor behaviour. That should give him something to reflect upon as he spends
the remainder of his days working under the whips of my overseers.
But of more immediate concern to me is the young slave being mercilessly
beaten by Colton. The slave's begging to the major domo for mercy falls on
deaf ears and it seems there is no end to Colton's anger.
As reluctant as I am to intervene - and undermine Colton's authority -I
feel I must or otherwise see one of my slaves disfigured, perhaps
permanently, over such a trivial offence.
The slave's back and ass are covered in angry, red welts but fortunately
his skin hasn't been broken. He is paying a heavy price for his
carelessness but I consider his punishment is excessive and I call for
Colton to stop.
Colton is taken by surprise at my unexpected intervention; it is obvious
his authority has never been challenged before. Momentarily, he ceases but
then, as though he is having the last word, he defies me and strikes the
slave once more before ordering him to his feet.
There is a telling silence as Colton glares balefully at me. I can see the
veins bulging in his neck and his eyes flash with his anger. I wait for him
to challenge me but wisely he decides not to. I am thankful that he
doesn't; I really don't want an acrimonious exchange with him in front of
my slaves. I have noticed that even a few garden slaves toiling in a nearby
flower bed are watching with interest. No good would come from them seeing
an argument between their Master and their overseer.
I try to defuse the situation by re-assuring Colton that my intervention
doesn't in any way challenge his authority over the slaves under his
control and that he has my fullest confidence. But I remind him my slaves
are a valuable resource and while I accept they do require firm discipline,
I don't want them excessively punished to the point where they are
incapacitated through injury or permanently disfigured. And I leave it
there!
I'm not sure whether this soothes Colton's injured pride. And really I'm
not all that concerned with his feelings. After all, Colton is my employee
and I have the say as to how he is to treat my slaves. But somehow, as I
look at Colton, I feel the house and garden slaves are in for a very hard
few days once I leave. But he now knows there is a limit to my patience and
to how far he can punish my slaves.
My luggage is now loaded and I enter the trap ready for my return trip to
the city. This isn't the same trap I'd driven out - that was a single pony
unit - whereas this is a two pony conveyance and is roomier. My trip home
promises to be a very comfortable one.
Originally, I'd planned to use the one pony trap for my return with Norge
between the shafts and Rafe running alongside of him. But sensibly,
Claymore Jackson suggested I place Rafe between the shafts with Norge and
have him pull also. This makes sense and I am grateful to Claymore for his
suggestion. The three to four hour run back to the city will give me ample
opportunity to put Rafe through his paces and to test out his speed on a
flat run and his stamina on the many hills that he'll have to climb.
Without hesitation, the slave, who I'd 'rescued' from Colton's anger,
hurries forward to untether the reins of both ponies and hands them to
me. As he does so he looks at me with gratitude. Obviously, the slave
doesn't understand that my intervention wasn't motivated by the extending
of leniency to him or sparing him pain; it had more to do with me
protecting my monetary investment in him. Still, I suppose if I'd been in
his place, I would have been grateful for any intervention that spared me
from Colton's bad temper.
I take my final leave of Colton and slap the reins against the shoulders of
both ponies and command them to.
"WALK ON!"
Immediately, Norge and Rafe, pulling in unison, strain forward into their
harness and we are on our way back to the city.
I don't over extend the ponies and I drive them at a leisurely pace down
the long, curving driveway to the distant road leading back to town. I sit
back and listen to the rhythmic pounding of the ponies' feet and the
scrunching of the cart's wheel in the loose gravel as I admire the graceful
movements of their naked bodies. I am overwhelmed with a sense of pride in
my ownership of both slaves.
I consider the driveway is one of the outstanding features of La Foret. Its
deciduous trees, planted by my original de Barrois ancestor, have reached a
venerable age and lend a stately air to the approaches to the colonial
homestead and its gardens. Their thick trunks stand like grey-green
cathedral columns on either side of the carriageway and overhead their
branches intertwine to form a dense canopy which turns the driveway into a
leafy tunnel.
It is late autumn and above me, a gentle breeze rustles softly through the
branches causing the russet and gold leaves to fall; in their multitude,
they softly float twisting and twirling to the ground and add to the
vibrant, underfoot carpet. The air is filled with a mellow ripeness and it
is suffused with a golden-red glow which reflects back from the glistening,
sweat- beaded torsos of both Norge and Rafe.
I recall that day six months ago when I'd travelled along this same
driveway with Rafe and Pollux tied to either side of Norge. Then Rafe had
been frightened and apprehensive of what awaited him. Today he seems more
at ease with himself and certainly he appears relaxed as he runs
confidently alongside the more experienced Norge.
Both ponies are a delight to the eye and proudly I watch the muscular
display of their powerful bodies as they run in tandem. I now look forward
to driving them through the streets of the capital harnessed to my new cart
which I'd especially commissioned for use with Norge and Rafe.
My new cart is one of understated elegance which reflects my new found
sense of good taste. Once I'd have opted for the flashy and the trashy. But
no more! Since my ascension to my new life, I have lived surrounded by the
refinement and good taste of my former Barrois relatives and I know a lot
of what I now appreciate and take for granted is due to Lucien Barrois'
innate, exquisite tastes.
Lucien is becoming less obvious to me now. At first, wherever I looked, I
was reminded of him. His presence was everywhere to be seen and felt - in
the dDor and furnishings of both my city home and La
Forõ€'˜. Everything about both places overawed me and made me feel
insecure. That was indicative of my lack of self-confidence and I had to
work hard to overcome it. Eventually, I did so and now I have the poise of
the self-possessed.
Lucien's presence is now almost non-existent - just an occasional fleeting
memory - and he has been supplanted by the slave Rafe.
We drive out through the massive stone pillars which mark La
Forõ€'˜'s entrance and turn left onto the paved road leading back to
the city some three to four hours' drive from here. The road is flat and I
am anxious to test Rafe. Once more, I slap the reins against the ponies'
shoulders and rap out the order to.
"HUP! HUP!"
Their response to my command is immediate and pleasing and they increase
their speed.
It is still early morning; the weather has the warmth of an Indian summer
and yet I am cooled by the gentle breeze generated by the ponies' steady,
rhythmic running. Before leaving, I'd had a slave raise the trap's canopy
to protect my complexion from the sun's rays. Unfortunately, I am auburn
haired with a fair-skin and I have a low tolerance to strong sunlight. I
must wear a heavy duty sunscreen and a broad-brimmed hat when in the open
to protect my face from turning fiery red.
As I look out at Norge and Rafe from the shade of the canopy I am envious
of their nakedness. Both slaves are gloriously tanned to a rich, honey-gold
brown. And I am delighted that the colour of Rafe's ass now matches the
rest of his body. I recall the day six months ago when I brought him out to
La Forõ€'˜ to begin his training. Then his ass and midriff were
alabaster-white; a jarring division between the tan of his upper body and
his legs. This had grated on me and I am glad to see that after working
naked for six months, this anomaly in his appearance has been
corrected. Today, the colour of his body is uniform and matches perfectly
that of Norge.
This isn't the only similarity between the two ponies. Indeed, from where I
sit, there is very little to differentiate between them. Each is of the
same height and weight with identical body builds and I am struck with the
way their bodies work in perfect harmony as they run.
From the rear it is hard to distinguish between them - even their
delightfully curvaceous asses are identical - but there is one small
difference that individualises them and that is the colour of their
hair. Norge's hair is Nordic blond which appears white-gold in the strong
sunlight. Rafe's hair is darker and it is the colour of sun-ripened corn.
The heads of both ponies are closely cropped in keeping with modern
trends. I can't say I am in favour of this; personally I prefer that a
pony's hair is styled longer. I really do like for it to be long enough to
see it ruffled by the wind as he runs. During recent visits to La
Forõ€'˜, I have noticed one of the overseers driving a pony that
sports a Mohawk-style haircut. The overseer has allowed the hair to grow
shoulder length at the back which gives the impression of a true mane.
On my first sighting, I didn't like the slave's appearance but on
subsequent ones I grew to appreciate the innovation and imagination of the
pony's driver so much so that I asked to inspect the pony on this my latest
visit. And I have to say I was somewhat impressed.
The overseer - his name is Regis - welcomed my interest in his pony that
goes by the name of Honky. I like that name; somehow it suits the slave and
once again I was impressed with Regis's imagination.
I asked Regis why he'd styled his pony's hair in this manner and he'd told
me it was because he likes the way the wind tosses Honky's mane as he
runs. This is in accord with my own preference and Regis - sensing my
interest - encouraged me to take his pony for a drive.
Now as I look at my two ponies, I can visualise them with shoulder length
'honky manes' which could be further enhanced by plaiting their hair with
satin ribbons and bows which match the colour of the four sets of new
harness I'd bought for use with my new carriage.
But, I ask - do the two ponies need such embellishments? Would such a mane
detract from their overall appearances? Both slaves are in the peak of
physical condition and their bodies are a sheer delight to gaze upon. Why
not leave well alone and enjoy their physicality in its natural state? I
decide then and there that Norge and Rafe will stay as they are but with
their hair longer than their current close crops.
In their common nakedness, my two ponies have an almost primitive beauty
which is impossible to improve upon by the use of fancy manes and satin
ribbons. They are perfection and require no enhancements on my part to
emphasise the magnificence of their bodies. I will leave them as Nature
intended; to do otherwise borders on the sacrilegious.
I'd carefully chosen the colours of the new harnesses to harmonise with my
new carriage. The carriage is tastefully finished in regal, navy blue,
high gloss paint with matching leather upholstery and I'd eschewed the
usual, over-the-top trimmings you see on most of the pony traps around the
city streets. Instead of the usual faux gold lamps and tawdry, gilt door
handles, I'd decided on simple chrome ones that don't detract from the
overall appearance of the trap and yet give it an air of refined elegance.
I'd forgone the usual heavy gilt embossing and over the top scroll work and
kept that simple too. The only adornment I'd used was a discreetly small
replica of the new Maratier family crest on the rear luggage compartment.
The new harnesses complement the trap. It hadn't been easy selecting the
colours but finally I'd chosen four - royal blue, maroon, black and
white. And as I look at Norge and Rafe, I can picture them in their new
harness.
Because they are of identical build, I'd used Norge as the working template
for the new harnesses. I'd taken him to the harness-makers for the initial
measuring up and watched as he was fitted with several 'off the hook' sets
of harness. I'd rejected these on the grounds that they were either too
loose or too tight. I wanted the harnesses that both Norge and Rafe are to
wear to be snug fitting and to emphasise their physiques. The harnesses had
to be 'just right'; I wanted the leather harnesses to isolate and yet, at
the same time, draw attention to the different muscle groupings in the
torsos of the two ponies. I wanted the harnesses to highlight their
powerful pectorals and to draw attention to their ribbed abdomens.
After all, Norge and Rafe are the near human equivalents to equine
thoroughbreds; I wanted nothing but the best for them. They deserve no
less! And so the eight sets of harness were custom made to mould into the
shape of both slaves' bodies.
And for that reason, I refused to consider the frippery that you see on so
many ponies nowadays. Despite the efforts of the saddle makers, I refused
to consider adorning Norge's and Rafe's heads with colourful head plumes
and their asses with faux ponytails.
I know it is fashionable among the noveau riche to deck out their ponies
with high plumes and false horsehair tails but I consider this is in poor
taste - although not so long ago I would probably have shown the same
gaucheness. Now my tastes are more refined. How could they be otherwise
when I live surrounded by the inherent good taste of my former cousin,
Lucien?
Both ponies are just coasting along a flat stretch of the road and I decide
it is time to put Rafe to the test. I remove my driver's whip from its
holder and take careful aim at his ass. I doubt he heard the sibilant hiss
of the whip but most certainly he felt its sting. I hear him grunt as he
lunges forward into his harness.
The strain of moving forward brings into play the powerful muscles of his
broad back which co-ordinate beautifully with the undulations of his
ass-cheeks and the long piston like striding of his strong legs.
I recall what Claymore Jackson had recently told me about appreciating the
whole of a pony's body under stress and not just his ass. I do so now and I
can see that Claymore is right. Rafe's body, running under the whip, is
truly a thing of beauty.
Once more I take careful aim -a little harder this time - and lay another
stripe across the rounded curves of his buttocks. Erotically, both fiery
stripes show livid red against the honey-gold of his skin.
Despite Claymore's advice to look at a pony's body in its entirety rather
than just concentrate on one feature, I find my attention is focusing more
and more on Rafe's ass. And why shouldn't it be at the centre of my
attention. For tonight I am to claim it as my own and I have waited six
months to do so. During that time, I'd insisted that Rafe's ass remain
inviolate; it wasn't to be used by either the overseers or his fellow
slaves. And because of that Rafe remains a tight-assed virgin.
Tonight, I will claim what is rightfully mine. I will exercise my owner's
rights of 'jus primae noctis' over my slave. Or to use the common
vernacular - I will take Rafe's cherry.
Initially, this was to be the final, climactic event of my revenge against
my hated Barrois cousin, Lucien. I'd intended to use it as the ultimate
payback for all the injustices done to my Maratier family by their Barrois
relatives.
I had planned to use him sexually. I'd intended to fuck him both hard and
brutally and to strip from him the last vestiges of his humanity. My hatred
of him - instilled into me by my grandmother - was that intense.
That was my plan initially! But in the intervening six months, there has
been a gradual shifting away from that position and I now have a very
different attitude towards Rafe.
What has changed my mind? The answer is unexpected and to put it simply -
it is Rafe.
Over the past six months, my contempt for Rafe has given way to a grudging
respect for his quiet dignity and resilience in the face of the horrendous
fate that overtook him. It's true that, at first, he'd not handled the
trauma of his changed circumstances well. But who could blame him for that?
I have thought about this numerous times and each time, I asked myself
would I have coped with his situation any better. The answer is - 'no, I
wouldn't'.
In the early days of his enslavement, I'd subjected Rafe to very harsh
treatment and every humiliation. And that had continued out at La
Forõ€'˜. Yet he'd survived all that I could throw at him which
couldn't have been easy given his former life of privilege. However, Rafe
surprised me with his ability to survive and to adapt.
And in doing so, he'd retained an understated dignity not possessed by his
fellow slaves. By that I don't mean that Rafe is anything other than a
slave. He is both submissive and respectful; as his Master I demand no less
of him.
Whenever he is in my presence, he maintains a proper master/slave
attitude. He stands mute with his head bowed and never speaks unless I bid
him to do so. And always he begins and ends his answers to my questions
with the honorific due to me as his owner - 'Master'. And in its use there
is neither sarcasm nor resentment.
But there is an intangible 'something' about Rafe. Even though his bearing
is that of a slave, he has an ingrained poise that very few free men
have. Perhaps this is as a result of the many generations of good breeding
that have preceded him. I remind myself that Rafe, despite possessing the
possible, tainted blood of the slave woman, Ophelia, does share with me the
illustrious, aristocratic bloodline of the Barrois family.
Rafe has a natural, likeable quality about him and I'm not immune to
it. Rafe is guileless and very much an open book. He wears his emotions for
all to see; unlike my former body-slave Ben, he isn't calculating or
manipulative and there is no deviousness in him. That he has been able to
retain these qualities despite all his vicissitudes is something that I
grudgingly admire.
And in spite of all his traumas of the past six months, Rafe retains
something of his boyish innocence and this adds to his overall appeal.
This morning, as Rafe runs before me, I think about his future. My plan is
that he serves me as a pony. And looking at him in harness with Norge, I
see he is well suited to this task. Yet, he has a magnificent body that
stirs my erotic fantasies. I imagine him on my bed waiting to surrender his
virginity to me. The thought of Rafe's ass waiting for me to claim it
causes me to become rampantly erect and lulls me into a pleasant
reverie. Could Rafe conceivably serve me as my body slave and bed-buck?
Certainly, he is a worthy candidate for both roles.
And in using him as my pleasure slave, I could lighten the burden of his
slavery.
Self-interest dictates that Rafe is to remain a slave for the rest of his
days. Despite my growing fondness for him there'll be no manumission of his
slavery. To set him free would be against my interests.
Over the past six months, I have accepted my changed circumstances and I
now enjoy my life of wealth and privilege. And I am not about to change
that situation.
On reflection, I suppose I do have a reluctant sense of guilt about what
has happened to Rafe. Always at the back of my mind is the niggling doubt
about the legitimacy of his enslavement. Did my grandmother manufacture the
circumstances which resulted in Lucien Barrois being stripped of his wealth
and deprived of his freedom? Despite my great love for my grandmother, I
know she's not beyond such a possibility. Her hatred of her family and her
insatiable need for revenge could have blinded her to reason and distorted
her sense of fair play.
To give Rafe his liberty would be to free him to seek out the truth or
otherwise of my grandmother's claims. Should they prove false it would mean
a re-instatement to his former life. And who could blame him for trying to
right such a terrible injustice. But where would that leave me? It would
leave me penniless and vulnerable to possible prosecution for fraud and if
found guilty it could mean slavery for me.
I enjoy my life as the inheritor of the former Barrois fortune too much to
risk it. Nor will I jeopardise my son, Etienne's birth right as my heir.
No, there'll be no freedom for Rafe. Ever! He will remain a slave.
But perhaps I could take measures to ease the burden of that slavery? I
will think more on this.
There is one other thing I have noticed about Rafe. He has about him an air
of vulnerability that does affect others. I have seen this affect my other
pony Norge. I recall how, on the day when Lucien Barrois became the slave
Rafe, Norge had rejoiced in his downfall and gloated as the new slave ran
naked alongside of him through the city streets. But within days, something
happened to change Norge's attitude towards Rafe. I don't know exactly what
it was but I watched as Norge became very protective of Rafe. I never asked
Norge why he did this - it would be unseemly for me to ask a slave about
his personal feelings - but I suspect he had succumbed to Rafe's air of
vulnerability.
And over the past six months, I have watched a growing affection develop
between Norge and Rafe. I have seen it in the way each looks at the other
and in the encouraging smiles that Norge flashes at Rafe whenever they come
into close proximity. And I have seen Rafe's shy, answering smile and when
I look into his eyes, I see the deep love he has for Norge.
I understand there is this bond between Norge and Rafe and I see that only
good can come from it. Surely their closeness will serve my best interests
as they run before me in tandem as my ponies.
I will turn a blind eye to their night time frolics once they are stabled
for the night. It amuses me to consider which of the two will assume the
dominant role. Somehow I know it will be Norge.
But that won't happen until after I exercise my 'law of the first night'
rights over Rafe and rob him of his virginity.
And that will happen tonight!
Looming on the horizon is the first of the several hills that we have to
climb between here and the city. The road is flat and I decide we need to
build up the momentum to take us over the top of this first hill.
I bring my whip into play, using it first on Norge and then on Rafe. Both
ponies respond favourably and taking the bit between their teeth, they leap
forward as one. I slap my reins on their shoulders and spur them on to
great effort.
"HUP! HUP! HUP!"
Norge is the more practised of the two and I know he is giving me his best
effort. I'm not sure about the inexperienced Rafe and decide he needs
further encouragement. I put my whip to his ass and shoulders constantly
until I am convinced that he too is applying himself to the fullest of his
ability.
Rafe is unable to vocalise his pain and involuntarily lunges forward in a
vain attempt to escape the whip. I always think it is amusing how a pony
believes he can outrun his driver's whip. I suppose it is an instinctive,
survival re-action to avoid pain. But it has the desired effect and Rafe
pulls harder and runs faster. Now, he is giving me his best effort and I
can't expect any more of him.
As Norge and Rafe quickly build up speed, I sit back under the comforting
shade of my canopy and enjoy the erotic spectacle being played out before
me.
I am rewarded with a display of two sundrenched, muscular bodies working in
synchronised harmony. The muscles in their gleaming backs ripple under the
sheen of their sweat and their long, powerful thighs flex as they keep in
step with one another. Their prominent balls, tightly restrained within
their cinched scrotums hang low in the day's heat and swing freely between
their muscular thighs. The rhythmic movements of the shining,
sweat-streaked orbs of their powerful buttocks and the occasional,
tantalising glimpse of their wrinkled, pink anuses winking with the
exertion of their running awakens lustful thoughts within me.
Under the guidance of the reins held firmly in my hands, both ponies
maintain their steady running. Breathing heavily; their strong chests rise
and fall as they greedily gulp air into their labouring lungs. The weight
of the cart pulls back on them placing ever greater strain on their
stretched-out muscles and throwing them into sharp relief. Both ponies are
spectacles of raw, taut muscle power and I am entranced by them.
And I am enthralled by the sight of their strong, muscular asses working in
unison. I am all consumed with the thought of driving my cock into Rafe's
tight, virgin ass. Suddenly, I can think of nothing else and I am
impatient to be at home.
Once more I apply my whip to build up the speed necessary to carry us over
this first hill. Both Norge and Rafe are running at full capacity and
there is only an imperceptible slowing of our momentum as we reach the
crest and begin our descent into the valley below.
On the distant horizon another hill shimmers in the blue heat haze. It
looms higher and steeper than this one.
Norge and Rafe are to be sorely tested before we arrive back in the city.
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
Tonight, I look down at Rafe's crouching figure and I see the slight
trembling of his whip striped body as he waits for my command. Is he
trembling from apprehension of what he surely knows is to follow? Or is he,
like me, trembling from the anticipation of the coming pleasures that
awaits us?
Once more, I order him to kiss my feet in homage before commanding him to
stand. As he springs quickly to his feet and assumes the display position,
I am overwhelmed by his sheer physicality and unmatched beauty.
Rafe is truly a magnificent slave as he stands before me in all his naked
splendour. He is my slave and I am now to assert my right of ownership over
him.
My erection is iron-rod rigid and matches perfectly that of my
slave. Rafe's cock twitches involuntarily and a small pearl of his precum
glistens at his piss-slit. It would seem that Rafe is as eager as I am and
my cock throbs in anticipation of exploring the tightness of his hidden
delights. I can wait no longer.
I order Rafe onto my bed. I am ready to fuck my slave!
To be continued.........